Transfiguring Depression: Personal and Collective Identity in Cioran’s Interwar Writings

IF 0.2 Q2 HISTORY
Ștefan Firică
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引用次数: 0

Abstract

Comparative research conducted recently proves that the antimodernist national characterologies produced by interwar authors from the mesoregion make up a transnational genre. This article looks into the texts of the young Romanian Emil Cioran, a prominent writer of the group, in order to support two lines of argument. First, that it is topical for researchers to consider the ways in which these authors construe the relationship between personal and collective identity, since their historical discourses often draw on narratives of authenticity or self-actualization. Psychological and political patterns can merge, and we will examine how the semantic field of mental depression imbues Cioran’s ideological vision. Second, we will illustrate the pivotal role played by the metaphor of the “leap” in his discourse. Finally, the inclusion of literary studies in the analysis of national characterologies is advocated in the spirit of identity research after the narrativist turn.
蜕变的抑郁:Cioran战争间作品中的个人与集体身份
最近进行的比较研究证明,由两次世界大战中期的作者创作的反现代主义民族特征构成了一种跨国类型。这篇文章探讨了年轻的罗马尼亚作家埃米尔·西奥兰的文本,他是该团体的著名作家,以支持两条论点。首先,研究人员应该考虑这些作者解释个人身份和集体身份之间关系的方式,因为他们的历史话语往往借鉴真实性或自我实现的叙事。心理和政治模式可以融合,我们将考察心理抑郁的语义场是如何影响Cioran的思想视野的。其次,我们将说明“跳跃”隐喻在他的话语中所起的关键作用。最后,在叙事主义转向之后,本着身份研究的精神,主张将文学研究纳入民族性格分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.40
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0.00%
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23
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