{"title":"The Role of the Third Program of Radio Belgrade in the Presentation, Promotion, and Expansion of Serbian Avant-Garde Music in the 1960s and 1970s","authors":"I. Medić","doi":"10.1080/07494467.2021.2022885","DOIUrl":null,"url":null,"abstract":"This article details the various activities at the Third Program of Radio Belgrade that contributed to the presentation, promotion, and expansion of ‘new music’ in Serbia (then a constituent republic of the SFR Yugoslavia) during the 1960s and 1970s. These activities ranged from the foundation of the first professional Electronic Studio in Serbia in 1972 to the organisation of concerts by soloists and ensembles, mostly from abroad, specialising in performing the most advanced contemporary music at the time. Moreover, the music broadcast on the Third Program inspired the most adventurous Serbian composers to embark on mastering the newest compositional techniques and the latest technologies of that time. My aim is to discuss the numerous ways in which the Third Program contributed to the development and flourishing of the avant-garde music scene in Serbia.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2021.2022885","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 2
Abstract
This article details the various activities at the Third Program of Radio Belgrade that contributed to the presentation, promotion, and expansion of ‘new music’ in Serbia (then a constituent republic of the SFR Yugoslavia) during the 1960s and 1970s. These activities ranged from the foundation of the first professional Electronic Studio in Serbia in 1972 to the organisation of concerts by soloists and ensembles, mostly from abroad, specialising in performing the most advanced contemporary music at the time. Moreover, the music broadcast on the Third Program inspired the most adventurous Serbian composers to embark on mastering the newest compositional techniques and the latest technologies of that time. My aim is to discuss the numerous ways in which the Third Program contributed to the development and flourishing of the avant-garde music scene in Serbia.
期刊介绍:
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.