The Role of the Third Program of Radio Belgrade in the Presentation, Promotion, and Expansion of Serbian Avant-Garde Music in the 1960s and 1970s

IF 0.3 2区 艺术学 0 MUSIC
I. Medić
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引用次数: 2

Abstract

This article details the various activities at the Third Program of Radio Belgrade that contributed to the presentation, promotion, and expansion of ‘new music’ in Serbia (then a constituent republic of the SFR Yugoslavia) during the 1960s and 1970s. These activities ranged from the foundation of the first professional Electronic Studio in Serbia in 1972 to the organisation of concerts by soloists and ensembles, mostly from abroad, specialising in performing the most advanced contemporary music at the time. Moreover, the music broadcast on the Third Program inspired the most adventurous Serbian composers to embark on mastering the newest compositional techniques and the latest technologies of that time. My aim is to discuss the numerous ways in which the Third Program contributed to the development and flourishing of the avant-garde music scene in Serbia.
贝尔格莱德广播电台第三节目在20世纪60年代和70年代塞尔维亚前卫音乐的呈现、推广和扩展中的作用
本文详细介绍了20世纪60年代和70年代,贝尔格莱德广播电台第三节目在塞尔维亚(当时是南斯拉夫联邦共和国的一个组成共和国)为“新音乐”的呈现、推广和扩展所做的各种活动。这些活动包括1972年在塞尔维亚建立第一个专业电子工作室,组织独奏者和合奏者的音乐会,主要来自国外,专门表演当时最先进的当代音乐。此外,第三节目播放的音乐激励了最具冒险精神的塞尔维亚作曲家开始掌握当时最新的作曲技巧和最新的技术。我的目的是讨论第三项目为塞尔维亚前卫音乐的发展和繁荣做出贡献的众多方式。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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