Traversing the Temporal Borderlands of Shakespeare

IF 0.8 2区 文学 0 LITERATURE
Ruben W. Espinosa
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引用次数: 1

Abstract

Abstract:This essay seeks to disrupt temporal distance to consider what an Anzaldúan perspective of Shakespeare contributes to the powerful conversations that premodern critical race studies have engendered. By drawing on what I term the temporal borderlands of Shakespeare—a borderlands rich with varied critical approaches and cultural products from which to consider the boundaries of periodization that demarcate, define, and inform strategies of race making—I offer an intervention that unsettles the critical frameworks that have, for far too long, reinforced the white rage and linguistic violence that sustain Shakespeare's white capital.
穿越莎士比亚时代的边界
摘要:本文试图打破时间距离,思考莎士比亚的安扎杜视角对前现代批判性种族研究所产生的强有力的对话有何贡献。通过借鉴我所说的莎士比亚的时间边界——一个充满了各种批评方法和文化产品的边界,从中可以考虑划分、定义和告知种族形成策略的分期界限——我提供了一种干预,这种干预扰乱了长期以来一直存在的批评框架,强化了白人的愤怒和语言暴力,这些都支撑着莎士比亚的白人资本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
New Literary History
New Literary History LITERATURE-
CiteScore
1.50
自引率
11.10%
发文量
8
期刊介绍: New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.
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