Sightseeing at Colonus: Oedipus, Ismene, and Antigone as Theôroi in Sophocles' Oedipus at Colonus

IF 0.9 2区 历史学 0 CLASSICS
L. Reitzammer
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引用次数: 3

Abstract

This paper examines the appearance of theoria (sacred sightseeing) as metaphor in Sophocles9 Oedipus at Colonus. Once Oedipus arrives in Colonus, the local site on the outskirts of Athens becomes, in effect, theoric space, as travelers converge upon the site, drawn there to visit the old man, whose narrative is known to all Greeks. Oedipus, as panhellenic figure, serves simultaneously as spectacle and theoros (sightseer), attaining inner vision as he goes to his death at the end of the play. Oedipus offers salvation ( soteria ) to Athens within the logic of the play, but in order to confer benefits upon Athens, he requires the travel and vision of his daughters, Antigone and Ismene, who serve as supplementary theoroi . The essay concludes with a glance at outsiders-as-saviors in Oedipus at Colonus and beyond, with an emphasis on the contribution of female travelers to soteria in classical Athenian drama.
在科洛诺斯观光:俄狄浦斯、伊斯美涅和安提戈涅在索福克勒斯的《俄狄浦斯在科洛诺斯》中Theôroi
本文考察了《索福克勒斯9俄狄浦斯在科隆诺斯》中作为隐喻的理论(神圣观光)的出现。一旦俄狄浦斯抵达科洛诺斯,雅典郊区的当地遗址实际上就变成了一个理论空间,因为旅行者们聚集在这里,被吸引到那里去拜访这位老人,他的故事为所有希腊人所熟知。俄狄浦斯作为一个泛希腊的人物,同时扮演着奇观和理论家(先知),在剧中结束时走向死亡,获得了内心的视觉。俄狄浦斯在剧中的逻辑中为雅典提供了救赎(soteria),但为了给雅典带来利益,他需要他的女儿Antigone和Ismene的旅行和视野,她们是补充理论。文章的结尾是,在《俄狄浦斯在科洛诺斯》和《更远的地方》中,局外人是救世主,并强调了雅典古典戏剧中女性旅行者对索特里亚的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
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