The Electric Pleasure District: The West End of London in the Age of Empire, 1880–1914

IF 0.2 3区 历史学 Q4 AREA STUDIES
R. McWilliam
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引用次数: 2

Abstract

This study examines the cultural work of the West End of London in the long Edwardian period (1880–1914). It argues that the pleasure district was changed in a number of ways in which electricity was one thread. The coming of electricity affected the character of the area, not only transforming theatre lighting but also introducing new forms of street advertising, notably on Piccadilly Circus. The West End was physically changed by the construction of Shaftesbury Avenue and Charing Cross, which then became sites of a wave of theatre building (all of which showed off their modernity by adopting electricity). These theatres, especially the Palace Theatre of Varieties, are examined in terms of the entertainments they offered but also the ways in which they produced forms of cultural capital for spectators. Finally, the study considers another electric medium, the cinema. The West End became known for upscale cinemas that emulated the theatres nearby and sought to make film-going attractive to wealthier customers who, a few years earlier, disdained it. By 1914, the West End had, to a large extent, taken on its modern form.
电子娱乐区:帝国时代的伦敦西区,1880-1914
本研究考察了爱德华七世时期(1880-1914)伦敦西区的文化工作。它认为,快乐区以多种方式发生了变化,其中电是一条线索。电力的到来影响了该地区的特点,不仅改变了剧院的照明,还引入了新的街头广告形式,特别是在皮卡迪利广场。由于沙夫茨伯里大道和查令十字路口的建设,伦敦西区的面貌发生了变化,这些地方后来成为一波剧院建筑的所在地(所有这些剧院都通过采用电力来展示它们的现代性)。这些剧院,尤其是各种各样的宫殿剧院,不仅要考虑它们提供的娱乐,而且要考虑它们为观众创造文化资本的方式。最后,该研究考虑了另一种电子媒介——电影。伦敦西区以模仿附近剧院的高档电影院而闻名,并试图吸引那些几年前对电影不屑一顾的富裕顾客。到1914年,伦敦西区在很大程度上呈现出现代的面貌。
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来源期刊
London Journal
London Journal Multiple-
CiteScore
0.50
自引率
20.00%
发文量
27
期刊介绍: The scope of The London Journal is broad, embracing all aspects of metropolitan society past and present, including comparative studies. The Journal is multi-disciplinary and is intended to interest all concerned with the understanding and enrichment of London and Londoners: historians, geographers, economists, sociologists, social workers, political scientists, planners, educationalist, archaeologists, conservationists, architects, and all those taking an interest in the fine and performing arts, the natural environment and in commentaries on metropolitan life in fiction as in fact
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