{"title":"The Electric Pleasure District: The West End of London in the Age of Empire, 1880–1914","authors":"R. McWilliam","doi":"10.1080/03058034.2021.1979792","DOIUrl":null,"url":null,"abstract":"This study examines the cultural work of the West End of London in the long Edwardian period (1880–1914). It argues that the pleasure district was changed in a number of ways in which electricity was one thread. The coming of electricity affected the character of the area, not only transforming theatre lighting but also introducing new forms of street advertising, notably on Piccadilly Circus. The West End was physically changed by the construction of Shaftesbury Avenue and Charing Cross, which then became sites of a wave of theatre building (all of which showed off their modernity by adopting electricity). These theatres, especially the Palace Theatre of Varieties, are examined in terms of the entertainments they offered but also the ways in which they produced forms of cultural capital for spectators. Finally, the study considers another electric medium, the cinema. The West End became known for upscale cinemas that emulated the theatres nearby and sought to make film-going attractive to wealthier customers who, a few years earlier, disdained it. By 1914, the West End had, to a large extent, taken on its modern form.","PeriodicalId":43904,"journal":{"name":"London Journal","volume":"46 1","pages":"229 - 248"},"PeriodicalIF":0.2000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"London Journal","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/03058034.2021.1979792","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 2
Abstract
This study examines the cultural work of the West End of London in the long Edwardian period (1880–1914). It argues that the pleasure district was changed in a number of ways in which electricity was one thread. The coming of electricity affected the character of the area, not only transforming theatre lighting but also introducing new forms of street advertising, notably on Piccadilly Circus. The West End was physically changed by the construction of Shaftesbury Avenue and Charing Cross, which then became sites of a wave of theatre building (all of which showed off their modernity by adopting electricity). These theatres, especially the Palace Theatre of Varieties, are examined in terms of the entertainments they offered but also the ways in which they produced forms of cultural capital for spectators. Finally, the study considers another electric medium, the cinema. The West End became known for upscale cinemas that emulated the theatres nearby and sought to make film-going attractive to wealthier customers who, a few years earlier, disdained it. By 1914, the West End had, to a large extent, taken on its modern form.
期刊介绍:
The scope of The London Journal is broad, embracing all aspects of metropolitan society past and present, including comparative studies. The Journal is multi-disciplinary and is intended to interest all concerned with the understanding and enrichment of London and Londoners: historians, geographers, economists, sociologists, social workers, political scientists, planners, educationalist, archaeologists, conservationists, architects, and all those taking an interest in the fine and performing arts, the natural environment and in commentaries on metropolitan life in fiction as in fact