Konceptualne metafore sa sastavnicama ŽIVOT i SMRT u Kamenom spavaču Maka Dizdara

Džemajla Smlatić, Belkisa Dolić
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Abstract

Conceptual metaphor is a cognitive mechanism often and gladly used in all discourse types, but it shows its maximum potentials in literature as it demystifies in an efficient and unique manner the experience, perception and mental schemas of a particular speaker – as both a member of a group and an individual. This paper analyzes the application of conceptual metaphorization in Mehmedalija Mak Dizdar’s Stone Sleeper with the concepts of LIFE and DEATH in the position of target domains with the aim of questioning its purpose, motivation and originality. The conceptual metaphors used in the collection are a clear reflection of the notion of human existence in the Bogumil spiritual tradition (the extremely negative intonation of the worldly and the rather positive intonation of the otherworldly reality) but, as it also turned out, in universal human thought. With each new insight into the motivic-thematic world of Dizdar’s poetics, its formal exceptionality and inexhaustibility of content are reaffirmed. This time, it was achieved using the apparatus of cognitive linguistics, i. e. by finding innovative metaphorical linguistic units expressing conventional conceptual metaphorization in Stone Sleeper.
《马卡·迪兹达尔之石》中生死成分的概念隐喻
概念隐喻是一种认知机制,在所有话语类型中都经常使用,但它在文学中显示出最大的潜力,因为它以一种有效和独特的方式揭示了特定说话者作为群体成员和个人的经验、感知和心理图式。本文分析了概念隐喻在Mehmedalija Mak Dizdar的《石头沉睡者》中的应用,将生与死的概念置于目标域的位置,旨在质疑其目的、动机和原创性。集合中使用的概念隐喻清楚地反映了博古米尔精神传统中人类存在的概念(对世俗的极端消极的语调和对超世俗现实的相当积极的语调),但是,正如它被证明的那样,在普遍的人类思想中。随着对迪兹达尔诗学的动机-主题世界的每一次新的洞察,其形式的独特性和内容的取之不尽的性都得到了重申。这一次,我们使用了认知语言学的工具,即在《石头沉睡者》中找到了表达传统概念隐喻的创新隐喻语言单位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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