The Long History of the 2017 Spotify "Fake Music" Scandal

IF 0.2 3区 艺术学 0 MUSIC
K. Goldschmitt
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引用次数: 3

Abstract

In July 2017 The Verge reported that popular streaming music service Spotify was employing a handful of musicians to produce over fifty tracks to fill out the company’s “Peaceful Piano,” “Calm Vibes,” and “Music for Concentration” in-house playlists.1 Other news outlets soon followed suit with articles such as “Are Spotify’s ‘Fake Artists’ Any Good?” and “Spotify Is Accused of Creating Fake Artists—but What Is a Fake Artist?”2 Since 2013 Spotify has featured playlists that the company curates for users throughout the platform as part of the company’s branding. They are often the first thing that a user sees when opening the app and also appear in searches and in recommendations based on search results. They range widely from influential lists based on genre (e.g., “Rap Caviar”) to innocuous lists based on time of day, season, or mood (e.g., “Throwback Thursday” and “Late Night Vibes”). These playlists are so popular, in fact, that many in the record industry view placement on them as the equivalent of being featured on a top terrestrial radio show in the late twentieth century.3 Like prominent placement on a top radio station, placement on a popular playlist translates to immediate income via increased exposure and listening royalties, especially important factors for middle-class and struggling musicians. The artists named as “fake” by various music news outlets had no internet presence apart from Spotify, with vague, abstract artist logos
2017年Spotify“假音乐”丑闻的漫长历史
2017年7月,The Verge报道称,流行的流媒体音乐服务Spotify雇佣了少数音乐人制作了50多首曲目,以填充该公司的“和平钢琴”、“平静的Vibes”和“专注音乐”内部播放列表“Spotify被指控制造假艺人,但什么是假艺人?”2自2013年以来,Spotify一直在为整个平台的用户策划播放列表,作为公司品牌的一部分。它们通常是用户打开应用程序时看到的第一件事,也会出现在基于搜索结果的搜索和推荐中。它们的范围很广,从基于流派的有影响力的列表(例如“说唱鱼子酱”)到基于一天中的时间、季节或情绪的无害列表(例如,“Throwback Thursday”和“Late Night Vibes”)。事实上,这些播放列表非常受欢迎,以至于唱片业的许多人认为,在它们上的位置相当于在20世纪末的顶级地面广播节目中出现。3就像在顶级广播电台上的突出位置一样,在受欢迎的播放列表上的位置通过增加曝光率和收听版税转化为直接收入,对于中产阶级和苦苦挣扎的音乐家来说尤其重要。被各种音乐新闻媒体称为“赝品”的艺术家除了Spotify之外,没有任何互联网存在,他们有模糊、抽象的艺术家标志
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
0
期刊介绍: Now in its 28th year, American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies.
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