The Homebody During/In Crisis

L. Porter
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引用次数: 1

Abstract

The Covid-19 pandemic ushered in a new paradigm of domesticity that manifested in and through the body. The complexities of domestic corporeality, however, predate this particular crisis. The inhabitation of the domestic realm is inherently riddled with contradictions of space, subjectivity, and sociality. In this article, I consider the many paradoxes imbuing the homebody both before and during the onset of the pandemic, arguing that crisis exacerbates the existing tensions that the homebody engenders, but it does not produce them. I examine the case of home dancer Marlee Grace and her Instagram activity prior to and during the quarantines, lockdowns, and stay-at-home orders of 2020. Grace's performed contradictions for her new media audience demonstrate that the homebody—though its complexities are amplified by the pandemic—has always been in crisis.
危机中的宅男
新冠肺炎大流行带来了一种新的家庭生活模式,这种模式表现在身体内和通过身体。然而,国内实体的复杂性早在这场特殊的危机之前。家庭领域的居住本质上充满了空间、主体性和社会性的矛盾。在这篇文章中,我考虑了在疫情爆发之前和期间充斥在居家人群中的许多悖论,认为危机加剧了居家人群产生的现有紧张局势,但并没有产生这种紧张局势。我研究了家庭舞者Marlee Grace的案例,以及她在2020年隔离、封锁和居家令之前和期间的Instagram活动。格蕾丝为她的新媒体观众表演的矛盾表明,居家一族——尽管疫情加剧了其复杂性——一直处于危机之中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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40 weeks
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