Sixteen Things We Learned about Programming for Film Festivals under COVID

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2119225

Helen de Witt, Maria M. Delgado, Aduke King, Sarah Lutton, Leigh Singer

引用次数: 0

Abstract

Abstract Five programme advisors from the British Film Institute (BFI) London Film Festival offer reflections on film programming during and post COVID. In addition to a discussion on hybrid festivals, the programme advisors also comment on audiences, Q&As, the engagement with filmmakers, and what it means to programme for both virtual and live festival formats.

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关于新冠疫情下电影节节目编排的十六件事

摘要英国电影学会（BFI）伦敦电影节的五位节目顾问对新冠肺炎期间和之后的电影节目进行了反思。除了讨论混合节日外，节目顾问还评论了观众、问答、与电影制作人的互动，以及虚拟和现场节日形式的节目意味着什么。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

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0.50

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期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.