{"title":"@Newmusic #Soundart: Contemporary Music in the Age of Social Media","authors":"Annelies Fryberger, J. Besada, Zubin Kanga","doi":"10.1080/07494467.2022.2087388","DOIUrl":null,"url":null,"abstract":"Social media have been touted as many things: a force for democracy, an abettor of extremism, a place where elections and emotions can be manipulated, a place to find a job, a way to transform one ’ s life into a marketable product, a place to ease the sting of loneliness or to descend further into the abyss. Music is omnipresent on these platforms: it is made, shared, critiqued, manipulated for other ends. Contemporary composers and other actors in the contemporary music milieu are not immune to the effects of social media, and some actively use it to create an image for themselves, promote their work, or as a source of inspiration. Our aim with this issue is to look at the myriad ways social media have been taken up by actors in the contemporary music world.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"41 1","pages":"329 - 336"},"PeriodicalIF":0.3000,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2022.2087388","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
Social media have been touted as many things: a force for democracy, an abettor of extremism, a place where elections and emotions can be manipulated, a place to find a job, a way to transform one ’ s life into a marketable product, a place to ease the sting of loneliness or to descend further into the abyss. Music is omnipresent on these platforms: it is made, shared, critiqued, manipulated for other ends. Contemporary composers and other actors in the contemporary music milieu are not immune to the effects of social media, and some actively use it to create an image for themselves, promote their work, or as a source of inspiration. Our aim with this issue is to look at the myriad ways social media have been taken up by actors in the contemporary music world.
期刊介绍:
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.