{"title":"Private Experience and Public-Spirited Critique: Brexit-Era Britain in the Recent Poetry of Vidyan Ravinthiran and Nicholas Hagger","authors":"Jeremy Pomeroy","doi":"10.14746/por.2021.3.7","DOIUrl":null,"url":null,"abstract":"Two starkly different aspects of the Brexit phenomenon may be seen in the recent work of two British poets, Vidyan Ravinthiran and Nicholas Hagger. Ravinthiran’s most recent book consists of love sonnets composed for his wife. These are addressed to an intimate “you” which, upon publication, is expanded to vicariously include his readership. In the course of their everyday life as a mixed-race couple in northern England, the context of Brexit occasionally intrudes. When it leads him to communicate something to his wife, the poet organically transcribes these experiences. While ultimately a secondary (if often inescapable) theme in Ravinthiran’s sonnet sequence, the Brexit negotiations are the leitmotif of Hagger’s Fools’ Paradise. Taking his cue from the sixteenth and seventeenth century mock epic, the poet offers an erudite satire excoriating a short-sighted political class. Hagger appears to move easily in such circles, presumably due to the diplomatic and intelligence contacts in his past. Assuming the guise of an insider or pundit, “your poet” provides a meticulous, tactical critique of the inefficacy of foolish parliamentarians.","PeriodicalId":37922,"journal":{"name":"Porownania","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Porownania","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/por.2021.3.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
Two starkly different aspects of the Brexit phenomenon may be seen in the recent work of two British poets, Vidyan Ravinthiran and Nicholas Hagger. Ravinthiran’s most recent book consists of love sonnets composed for his wife. These are addressed to an intimate “you” which, upon publication, is expanded to vicariously include his readership. In the course of their everyday life as a mixed-race couple in northern England, the context of Brexit occasionally intrudes. When it leads him to communicate something to his wife, the poet organically transcribes these experiences. While ultimately a secondary (if often inescapable) theme in Ravinthiran’s sonnet sequence, the Brexit negotiations are the leitmotif of Hagger’s Fools’ Paradise. Taking his cue from the sixteenth and seventeenth century mock epic, the poet offers an erudite satire excoriating a short-sighted political class. Hagger appears to move easily in such circles, presumably due to the diplomatic and intelligence contacts in his past. Assuming the guise of an insider or pundit, “your poet” provides a meticulous, tactical critique of the inefficacy of foolish parliamentarians.
PorownaniaArts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
25
期刊介绍:
The 2019 tercentenary of the publication of Daniel Defoe’s Robinson Crusoe provides the perfect opportunity to reconsider the global status of the Robinsonade as a genre. Its translations, transformations, and a gradual separation from the founding text by Daniel Defoe have revealed its truly international character, with the term ‘Robinsonade’ itself first used in the German literary tradition and the most enduring narrative structure established not so much by Defoe himself but by J.J. Rousseau and his commentary on Robinson Crusoe in Emile; or, On Education. This issue will address the circulation of the Robinsonade across cultures and national contexts, the adaptability of the form and its potential to speak to various audiences at different historical moments. We invite contributions on all aspects of the afterlives of the Robinsonade across languages and media, with a particular interest in contemporary variations on the theme.