Calgary and the 'creative class': The interface between public policy and gentrification

Q1 Social Sciences
Rylan Graham
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引用次数: 4

Abstract

In The Rise of the Creative Class (2002) Richard Florida argues that for cities to compete for economic growth in the 21st century, they must appeal to the interests of the creative class. The creative class is said to be drawn to places that have the 4Ts: tolerance, technology, talent, and territorial assets. In Calgary, Alberta, where the volatility of the oil and gas sectors has caused ongoing economic uncertainty, officials have urged a need for economic diversification. This research illustrates that amid ongoing economic challenges in Calgary, the principles espoused through Florida's creative class model have been adopted and integrated into public policy. However, while the City has focused on providing a rich urban experience with quality amenities to appeal to the creative class, the success in attracting and retaining talent thus far has been limited. Instead, efforts have negative consequences, as this approach reflects a practice referred to as state-led gentrification which has fueled new-build gentrification in Calgary's inner-city.

卡尔加里与“创意阶层”:公共政策与绅士化之间的互动
在《创意阶层的崛起》(2002)中,Richard Florida认为,城市要在21世纪竞争经济增长,就必须吸引创意阶层的利益。据说,创意阶层被吸引到拥有4T的地方:宽容、技术、人才和领土资产。在阿尔伯塔省卡尔加里市,石油和天然气行业的波动导致了持续的经济不确定性,官员们敦促经济多样化。这项研究表明,在卡尔加里持续的经济挑战中,佛罗里达州创造性阶级模式所倡导的原则已被采纳并纳入公共政策。然而,尽管纽约市一直致力于提供丰富的城市体验和优质的设施,以吸引创意阶层,但迄今为止,在吸引和留住人才方面的成功有限。相反,这些努力会产生负面影响,因为这种方法反映了一种被称为国家主导的士绅化的做法,这种做法助长了卡尔加里市中心新建的士绅主义。
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来源期刊
City, Culture and Society
City, Culture and Society Economics, Econometrics and Finance-Economics, Econometrics and Finance (miscellaneous)
CiteScore
4.00
自引率
0.00%
发文量
26
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