LEON ŠTUKELJ, OLYMPIC CHAMPION 1924 IN GYMNASTICS. PERFORMANCES AND LEGACY

IF 0.7 Q4 SPORT SCIENCES
Tony Froissart, T. Terret
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引用次数: 0

Abstract

Olympic champion in the general event in gymnastics at the 8th Olympiad in 1924, Leon Štukelj performed remarkably in international competitions. This article proposes to analyze the innovative character of the performance carried out by the gymnast of the Yugoslavian team, to appreciate the context of its realization and to evaluate his legacies. Through his performance, Štukelj paved the way to major evolutions in gymnastics, especially in the rings event where he excelled. Certain technical regulations of international gymnastics seem to have been especially inspired by the elements he performed in 1924. Štukelj was also considered an emblematic figure of the educational method developed by the Yugoslav Sokols. As a consequence, his imprint as a symbol of a moral and physical system of training was also very strong. The paper is positioned in the field of cultural history. It aims to study the evolution of Štukelj’s performance and legacy. In addition to the historiography of the 1924 Olympic Games, it uses various primary sources: the French daily press published on the occasion of the 1924 Olympic Games, the archives of the Lausanne Olympic Study Center, the archives of the city of Colombes, the official reports of the 1924, 1928 and 1936 Olympic Games, the archives of the International Gymnastics Federation and Štukelj’s autobiography (1989).
莱昂·施图克尔吉,1924年奥运会体操冠军。表演和遗产
1924年第8届奥林匹克运动会体操项目的奥运冠军莱昂·施图克尔吉在国际比赛中表现突出。本文旨在分析南斯拉夫体操队运动员表演的创新特征,了解其实现的背景,并评价其遗产。通过他的表现,Štukelj为体操的重大发展铺平了道路,尤其是在吊环项目中,他表现出色。国际体操的某些技术规则似乎特别受到他在1924年表演的元素的启发。Štukelj也被认为是南斯拉夫索科尔人发展的教育方法的象征性人物。因此,作为道德和身体训练体系的象征,他的印记也非常强烈。本文定位于文化史领域。它旨在研究Štukelj的表演和遗产的演变。除了对1924年奥运会的历史编纂外,它还使用了各种主要来源:1924年奥运会际出版的法国日报、洛桑奥林匹克研究中心的档案、科隆贝市的档案、1924年、1928年和1936年奥运会官方报告,国际体操联合会档案和Štukelj的自传(1989年)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.30
自引率
33.30%
发文量
48
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