Instant Gloss: Promoting Paint in 1840s Paris. The Example of Louis Viard’s Chromo-Duro-Phane Varnish

IF 0.1 Q4 ECONOMICS
D. Spennemann
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引用次数: 0

Abstract

Abstract While often operating the margins of propriety, advertisers and marketers are constrained by the social mores of their times. During the early nineteenth century, product promotion opportunities were limited to a mix of newspapers, hoardings and pamphlets. Some enterprising entrepreneurs and innovative individuals pushed the envelope of the acceptable, effectively creating new standards. This paper presents the first case study where the advertising and marketing strategies of a single French entrepreneur are being examined in depth. To successfully promote his products, the small-scale paint manufacturer Louis Viard employed a range of strategies. These ranged from the true and tried media of newspaper advertisements, product packaging and advertising cards to more innovative modes of promotion, such as mobile advertising on delivery carts as well as flamboyant street processions, to clever and engaging use of billboards and product placement in plays. In addition, he maintained a workforce of loudly attired roaming painters, who combined promotion and marketing at the same time.
即时光泽:19世纪40年代巴黎的推广涂料。路易·维亚德的彩色-杜罗-玻璃清漆的例子
虽然广告商和营销人员经常在适当的边缘操作,但他们受到时代社会习俗的约束。在19世纪早期,产品促销的机会仅限于报纸、广告牌和小册子。一些有进取心的企业家和有创新精神的个人突破了可接受的极限,有效地创造了新的标准。本文提出了第一个案例研究,其中一个法国企业家的广告和营销策略正在被深入研究。为了成功地推广他的产品,小型涂料制造商路易斯·维亚德采用了一系列策略。从报纸广告、产品包装和广告卡等真实而可靠的媒体,到更创新的促销模式,如外卖车上的移动广告以及华丽的街头游行,再到巧妙而引人入胜的广告牌和戏剧植入广告。此外,他还雇佣了一批衣着华丽的漫游者,他们将推广和营销同时结合起来。
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