Fashion Nation: Picturing the United States in the Long Nineteenth Century by Sandra Tomc (review)

IF 0.3 3区 文学 0 LITERATURE, AMERICAN
S. Cook
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引用次数: 0

Abstract

promise seems to be a common theme in the study—in similar fashion, Victor Séjour’s brilliant literary career demonstrates transnational perspectives and intercultural literary strategies that would eventually be obscured by the categorical opposition of “American” and “French” literature. (As evidence, Séjour has yet to become a standard inclusion in anthologies of American literature, despite his clear qualifications.) While the decline of New Orleans’s theatrical diversity can be read as a jeremiad, this study also serves as a reminder for early American literary and cultural studies: exploring such historical dead ends may yet help us to remember American culture’s once-possible futures. The Crescent City’s playhouses were never interracial or intercultural utopias, of course, but they nevertheless showed the potential of performance in a distinctly “Creole America,” in which plays were staged in the gaps between cultures, as lively, complex dramas of identity, affiliation, and belonging played out against a hemispheric backdrop of imperial nostalgia and national expansion.
Sandra Tomc的《时尚国度:描绘19世纪漫长的美国》(评论)
“希望”似乎是这项研究的共同主题——以类似的方式,维克多·萨杰尔辉煌的文学生涯展示了跨国视角和跨文化文学策略,这些最终将被“美国”和“法国”文学的绝对对立所掩盖。(作为证据,尽管ssamjour有明确的资格,但他还没有成为美国文学选集的标准内容。)虽然新奥尔良戏剧多样性的衰落可以被解读为哀嚎,但这项研究也为早期美国文学和文化研究提供了一个提醒:探索这样的历史死胡同可能有助于我们记住美国文化曾经可能的未来。当然,新月城的剧院从来都不是跨种族或跨文化的乌托邦,但它们仍然显示了在一个明显的“克里奥尔美国”中表演的潜力,在这种情况下,戏剧在不同文化之间的差距中上演,在帝国怀旧和国家扩张的半球背景下,上演了生动、复杂的身份、隶属关系和归属感的戏剧。
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来源期刊
EARLY AMERICAN LITERATURE
EARLY AMERICAN LITERATURE LITERATURE, AMERICAN-
CiteScore
0.30
自引率
33.30%
发文量
62
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