{"title":"Out past metonymy in the New Jewish Cemetery, Lublin","authors":"Emily Brennan-Moran","doi":"10.1080/10462937.2022.2115125","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay engages performative writing to enact a scene of metonymic remembering in the New Jewish Cemetery, Lublin on the Catholic Feast of Corpus Christi. In 2019, I traveled to Poland to write about empty shoes, metonymy, and Holocaust memory and found myself caught off guard by a destroyed pre-war Jewish cemetery. This essay traces my excessive, defamiliarized remembering as I spun out past metonymy and back again, grappling with remembering in(to) a landscape of emptiness. As it marks both my contemporary remembering and the scene of the cemetery, defamiliarization expands metonymically to encompass the ontology of performance itself.","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"43 1","pages":"1 - 20"},"PeriodicalIF":0.6000,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Text and Performance Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10462937.2022.2115125","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This essay engages performative writing to enact a scene of metonymic remembering in the New Jewish Cemetery, Lublin on the Catholic Feast of Corpus Christi. In 2019, I traveled to Poland to write about empty shoes, metonymy, and Holocaust memory and found myself caught off guard by a destroyed pre-war Jewish cemetery. This essay traces my excessive, defamiliarized remembering as I spun out past metonymy and back again, grappling with remembering in(to) a landscape of emptiness. As it marks both my contemporary remembering and the scene of the cemetery, defamiliarization expands metonymically to encompass the ontology of performance itself.