Fashioning a “Male Actress”

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Michael Mamp
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引用次数: 0

Abstract

This research documents the fashioning of Charles Pierce, a prominent female impersonator in the mid-to-late twentieth century. During his career of over forty years, Pierce delivered acclaimed comedic impressions of gay icons such as Bette Davis and Katharine Hepburn. This paper contextualizes and interprets the development of Pierce’s cross-dressing from tuxedo and a few woman’s fashion accessories (to avoid arrest) to full drag. Pierce’s career as self-styled “male actress” coincided with the gay liberation movement. Much has been written about drag, less about female impersonators, and no known research examining their costumes. This article thus provides a rare analysis of the material culture of female impersonation through Pierce’s costumes and accessories at the ONE National Gay and Lesbian Archives at the University of Southern California plus the Charles Pierce papers at the Billy Rose Theater Division of the New York Library for the Performing Arts.
塑造“男演员”
本研究记录了二十世纪中后期著名女模仿者查尔斯·皮尔斯的塑造过程。在他40多年的职业生涯中,皮尔斯为贝蒂·戴维斯和凯瑟琳·赫本等同性恋偶像提供了备受赞誉的喜剧印象。本文将皮尔斯的变装从燕尾服和一些女性时尚配饰(以避免被捕)发展到完全变装的过程进行语境化和解读。皮尔斯自封为“男演员”的职业生涯恰逢同性恋解放运动。关于变装的文章很多,关于女性模仿者的文章很少,也没有关于她们服装的研究。因此,本文通过南加州大学ONE国家男女同性恋档案以及纽约表演艺术图书馆比利·罗斯剧院分部的查尔斯·皮尔斯论文,对女性模仿的物质文化进行了罕见的分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
28
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