Domitian: An Innovative Emperor?

IF 0.9 1区 历史学 0 ARCHAEOLOGY
S. Stevens
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引用次数: 0

Abstract

The exhibition at the National Museum of Antiquities at Leiden God on Earth: Emperor Domitian (December 2021–May 2022) presented an overview of Domitian’s life in objects to demonstrate the significance and impact of his 15-year reign. The show focused on how he legitimized and shaped his rule, and it challenged the viewer to rethink the assessment of Domitian in ancient sources and his branding as one of the “bad” emperors. The Flavian dynasty, by forging a connection to Augustus, the most popular ruler before them, “anchored innovation” by linking new ideas to familiar ideas already established. The great achievement of the exhibition lay in the quality and scope of the 275 objects from more than 20 museums; the Flavian era emerged as equally artistically rich as that of the Julio-Claudians. Although the exhibition explicitly did not aim to recast Domitian as a “good” ruler but rather invited the viewer to consider all aspects of his image and reputation, at the same time it seemed to rehabilitate Domitian, presenting him as an important emperor in his own right and in a more positive light.
Domitian:一个创新的皇帝?
莱顿国家古物博物馆的展览《地球上的上帝:多米提安皇帝》(2021年12月- 2022年5月)通过实物展示了多米提安统治15年的重要性和影响。该节目关注的是他如何使自己的统治合法化和形成,并挑战观众重新思考古代资料中对多米提安的评价,以及他作为“坏”皇帝之一的形象。弗拉维王朝通过与奥古斯都(Augustus)——在他们之前最受欢迎的统治者——建立联系,通过将新思想与已有的熟悉思想联系起来,“锚定了创新”。此次展览的巨大成就在于来自20多家博物馆的275件展品的质量和范围;弗拉维安时代在艺术上与胡里奥-克劳狄王朝一样丰富。虽然展览的目的并不是将多米提安重塑为一个“好”的统治者,而是邀请观众考虑他的形象和声誉的各个方面,但与此同时,它似乎恢复了多米提安的形象,以更积极的方式展示了他作为一个重要的皇帝的权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.00
自引率
8.30%
发文量
93
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