The psychological aspects within the Yogyakartan Bedhaya: An exploratory study on royal court dancers

IF 1 3区心理学 Q3 PSYCHOLOGY, MULTIDISCIPLINARY

Culture & Psychology Pub Date : 2022-12-21 DOI:10.1177/1354067X221147684

Matheus Raoul Supriyadi, Satwika Rahapsari

引用次数: 0

Abstract

As a classical art form reserved only for the Yogyakartan royalty from the 18th to the 20th century, the Bedhaya does not simply serve as entertainment for its audiences. It is the epitome of Javanese meditation. This study aims to explore the experiences of court dancers regarding the Bedhaya to ultimately identify what psychological aspects are involved in the formation of their experiences. We used Moustakas’ qualitative phenomenology as the basis of this whole research, in combination with movement elicitation procedures to condition the participants prior to the data collection process. Consequently, we interviewed four Bedhaya dancers from various generations who were trained within the royal court of Yogyakarta. We analyzed the results using Moustakas’ modification of the Stevick–Colaizzi–Keen method. The results yielded five themes, which are the essence of the experiences of Bedhaya dancers and were then elaborated further using psychological concepts that may serve as a starting point for further psychological research on the subject.

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Yogyakartan Bedhaya的心理层面——对皇家宫廷舞者的探索性研究

作为18世纪至20世纪日惹皇室独有的古典艺术形式，贝德哈亚不仅仅是为观众提供娱乐。这是爪哇冥想的缩影。本研究旨在探讨宫廷舞者对贝德哈亚的体验，以最终确定他们的体验形成涉及哪些心理方面。我们使用Moustakas的定性现象学作为整个研究的基础，并结合动作启发程序在数据收集过程之前对参与者进行条件反射。因此，我们采访了四名不同世代的贝德哈亚舞者，他们都是在日惹皇家宫廷接受训练的。我们使用Moustakas对Stevick-Colaizzi-Keen方法的改进来分析结果。结果产生了五个主题，这些主题是贝德哈亚舞者经历的精髓，然后使用心理学概念进一步阐述，这些概念可以作为进一步心理学研究的起点。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Culture & Psychology PSYCHOLOGY, MULTIDISCIPLINARY-

CiteScore

2.40

自引率

18.80%

发文量

期刊介绍： Culture & Psychology addresses the centrality of culture necessary for a basic understanding of the psychology of human beings: their identity, social conduct, intra- and intersubjective experiences, emotions and semiotic creativity. By drawing on diverse theoretical backgrounds, the editorial aim is to provide an international and interdisciplinary forum for scholarly investigations and discussions that will advance our basic knowledge of the self in its historical and cultural contexts. The orientation of the journal is towards formulating new conceptualizations of culture in psychology, together with theoretically relevant empirical investigations.