‘Kalakarm Curriculum’: How can illustration facilitate art in education?

IF 0.2 0 ART
Siddhi Gupta
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Abstract

This article elucidates the journey of the author as an illustrator and educator in the Indian art education landscape, pivoted around the case study of the project called ‘Kalakarm Curriculum’. The author enquires how these roles guide her decisions to develop a distributable resource that can make art education possible in the classroom. A vital part of the process is the primary research conducted at government and low-income private schools in Delhi, India, which provides the necessary constraints to limit the scope of the large issue of art education in India into a workable brief. The project is anchored around the aspirations and challenges of educators who teach different subjects to different age groups, mapped through conversations, observations and the method of workshops. Illustration is used to document the project, communicate its intention, as a process to make meaning and to create the resource that can equip educators to be able to achieve art in education. The end of the project is education – a particular imagination of art education – to make it accessible and transferrable first from the author to the educators and then from the educator to the learners.
“Kalakarm课程”:插图如何促进教育中的艺术?
本文围绕名为“Kalakarm课程”的项目的案例研究,阐述了作者作为插画家和教育家在印度艺术教育领域的历程。作者询问这些角色如何指导她决定开发一种可分配的资源,使艺术教育在课堂上成为可能。这一过程的一个重要部分是在印度德里的政府和低收入私立学校进行的初步研究,这为将印度艺术教育这一重大问题的范围限制在一个可行的纲要中提供了必要的限制。该项目围绕着教育工作者的愿望和挑战展开,他们通过对话、观察和研讨会的方法,向不同年龄组教授不同的科目。插图用于记录项目,传达其意图,作为一个创造意义的过程,并创造资源,使教育工作者能够在教育中实现艺术。该项目的最终目的是教育——艺术教育的一种特殊想象——使其首先从作者到教育者,然后从教育者到学习者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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