Memory, Dance and Archive: How an Archived Performance Inspired the Creation of the Dancefilm Does the Dancing Have to Stop?

Sonia York-Pryce
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引用次数: 0

Abstract

The aim of this article is to delve into memory and dance, and to show how the archive can contribute to definitions of dance. It offers a personal journey into the records of my dance career, where I revisit and reclaim the past framed through the perspective of a mature dancer now aged in my sixties. Using the medium of dancefilm, my position is of observer, dancer, recaller, and bearer of my archive. I experiment with traces of the past, overlaid with the present, to introduce a dialogue about how this investigation can address the aging body as a site of archive. Through my research, I assert that as a dancer, my archive is housed within my body. I am using my dance history and my memories as the vehicle to address the issue of aging from a Western dance context.
记忆、舞蹈与档案:一场档案表演如何启发舞蹈电影《舞蹈必须停止吗?》
本文的目的是深入研究记忆和舞蹈,并展示档案如何为舞蹈的定义做出贡献。它提供了一个进入我舞蹈生涯记录的个人旅程,在那里,我通过一个60多岁的成熟舞者的视角重新审视和回顾过去。使用舞蹈电影的媒介,我的位置是观察者、舞者、回忆者和我档案的持有者。我用过去的痕迹和现在的痕迹进行了实验,以引入一个对话,讨论这项调查如何将衰老的身体作为档案馆。通过我的研究,我断言,作为一名舞者,我的档案保存在我的身体里。我用我的舞蹈史和我的记忆作为载体,从西方舞蹈的角度来解决衰老问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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40 weeks
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