Watching Cultural Hybridity in Hinduism Myth on The PRISMA Series Road to Baliphex 2022

Aristo Pub Date : 2023-05-15 DOI:10.24269/ars.v11i2.6834
Sandra Tri Oktaviana, A. Sujoko, Dicky Wahyudi
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引用次数: 0

Abstract

The Indonesian Philatelic Association (PFI) collaborated with PT. Pos Indonesia launched a special edition of PRISMA stamps to welcome Baliphex 2022, uniquely on PRISMA stamps there are symbols of ‘Wayang Kamasan’ painting (Balinese) and Mahabharata story (Indian) initiated by PFI. Researchers view that the special edition PRISMA series road to Baliphex 2022 is not just proof of payment and an event promotion tool, but as has meaning in each of the symbols that reflected Balinese and Indian culture. This study aims to reveal the representation of Balinese and Indian cultures in the PRISMA series Road to Baliphex 2022. We use Roland Barthes' semiotic method with units of analysis of denotation, connotation, and mythology. The results show that Balinese culture in PRISMA's Road to Baliphex 2022 series is structured through Mahabharata in Wayang Kamasan symbols, Baliphex events, and stamp elements that have denotative and connotative meanings. The mythology that appears in the PRISMA series Road to Baliphex 2022 is the myth of Hinduism, which is the belief of the majority of Balinese people. Hinduism mythology is structured through the symbolization Saput Poleng, Flags of Kober, Merdah and Tualen, Horse Carts, Big Trees, Ornaments, and Temples. The Hinduism mythology in the PRISMA series Road to Baliphex 2022 is not assembled through a single cultural representation, but with cultural hybrids from Mahabharata (Indian) and Wayang Kamasan (Balinese). This research contributes to the thesis statement that postage stamps can be used by the community as communication media to represent a certain ideology through a series of symbols with cultural hybridity.
从PRISMA系列到巴力菲斯之路看印度教神话中的文化混杂性2022
印尼集邮协会(PFI)与PT合作,推出了特别版的PRISMA邮票,以迎接2022年的巴力菲斯展,PRISMA邮票上有独特的“Wayang Kamasan”绘画(巴厘语)和摩诃婆罗多故事(印度语)的符号由PFI发起。研究人员认为,特别版PRISMA系列通往2022年巴厘岛国际会展中心的道路不仅仅是支付证明和活动推广工具,而且在反映巴厘岛和印度文化的每个符号中都有意义。本研究旨在揭示巴厘岛和印度文化在PRISMA系列作品《2022年巴力菲斯之路》中的表现。我们采用罗兰·巴特的符号学方法,以外延、内涵和神话为分析单元。结果显示,PRISMA的《通往巴力菲斯2022之路》系列中的巴厘文化是由Wayang Kamasan中的摩诃婆罗多符号、巴力菲斯事件和具有外延和内涵意义的印章元素构成的。在PRISMA系列《2022年巴厘岛之路》中出现的神话是印度教的神话,这是大多数巴厘岛人的信仰。印度教神话是通过象征Saput Poleng, Kober, Merdah和Tualen的旗帜,马车,大树,装饰品和寺庙来构建的。PRISMA系列《2022年巴力菲克斯之路》中的印度教神话并不是通过单一的文化表现组合而成的,而是由摩诃婆罗多(印度)和Wayang Kamasan(巴厘岛)的文化混合而成的。本研究有助于论文陈述邮票可以被社区作为传播媒介,通过一系列具有文化混杂性的符号来代表某种意识形态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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