Literary Text in the Paradigm of Modality: Authenticity of the Event

A. Dzyubenko
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引用次数: 2

Abstract

The article investigates the problem of the authenticity of the event in a literary text in the framework of evaluation and modality, both the author’s and the characters’. The relevance of the study is determined by the anthropocentriс principles of modern linguistics, the study of “a human in language”, which, in turn, predetermines the need to clarify the linguistic parameters that can be applied to the text in the aspect of identifying the degree of authenticity of a possible world as such. The purpose of the article is to find out and describe the modality markers that make it feasible to represent the events of a literary text as reliable and perceived by the reader as the only possible truth. Research methods, among which the preference was given to the methods of observation and comparison, the method of philological interpretation, pragmatic and semantic analysis of microcontexts, were applied to the object of study in a complex manner, which resulted in pinpointing and describing the differences in the representation of the authenticity of an event in the author’s and characters’ zones of modality. The reader’s perception of the events of a literary text as authentic is modeled by the author by means of multi-level means of modality, the content plan of which, moreover, is complicated by the introduction of a subject of narration into the text that is different from the author (narrator) himself. In the zone of characters’ modality, only lexical and grammatical means are used, while the author’s modality is characterized by the additional use of syntactic structures targeted at the creation of authenticity, the appeal to biblical motifs and images, as well as direct addressing to the reader. The background knowledge of the reader, O’Henry appeals to in his Christmas novella, allows to carry out the synthesis of multi-level means of evaluation and modality, which takes the events of a literary text beyond the limits of authenticity.
情态范式下的文学文本:事件的真实性
文章从作者和人物的评价和情态两个角度探讨了文学文本中事件的真实性问题。这项研究的相关性是由现代语言学的人类中心原则决定的,即“语言中的人”的研究,这反过来又预先决定了在确定可能世界的真实性程度方面澄清可应用于文本的语言参数的需要。本文的目的是找出并描述情态标记,使其能够将文学文本中的事件表示为可靠的,并被读者视为唯一可能的真理。研究方法以观察比较法、文字学解释法、微语境语用语义分析法等为重点,以复杂的方式应用于研究对象,准确地描述了作者和人物情态区域对事件真实性表征的差异。读者对文学文本事件真实性的感知是由作者通过多层次的情态手段来塑造的,并且由于在文本中引入了一个不同于作者(叙述者)本人的叙述主体,使其内容计划变得复杂。在人物情态方面,只使用词汇和语法手段,而作者的情态的特点是额外使用旨在创造真实性的句法结构,呼吁圣经的母题和图像,以及直接针对读者。欧亨利在圣诞中篇小说中呼吁读者的背景知识可以进行多层次的评价手段和形态手段的综合,使文学文本中的事件超越了真实性的限制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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