"First Connections With Stagecraft": S. N. Behrman Finds His Vocation

IF 0.1 3区 文学 0 LITERATURE, AMERICAN
Kent P. Ljungquist
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引用次数: 1

Abstract

Abstract:This article discusses previously unpublished material from the S. N. Behrman Papers that marks S. N. Behrman's first encounter with live theater. This material is thus a significant contribution to the biographical record on Behrman. A theater memoir submitted to but rejected by The New Yorker sheds light on Behrman's early experiment in vaudeville, and records his early encounter with high comedy in the work of Somerset Maugham and his early fascination with actors, a primary focus of his theatrical career. The unpublished material discussed here was intended as part of his New Yorker series about growing up in a Jewish neighborhood in central Massachusetts, reminiscences seen as a resource for information about Behrman's adolescence and early adulthood. Since Behrman's book The Worcester Account (1954) offers only passing mention of the author's eventual career in drama, the material covered here illuminates his choice of a vocation in the world of theater.
“与舞台艺术的第一次联系”:s·n·贝尔曼找到了他的职业
摘要:本文讨论了S.N.Behrman论文中先前未发表的材料,这些材料标志着S.N.Behman首次接触现场戏剧。因此,这些材料是对贝尔曼传记记录的重要贡献。一本提交给《纽约客》但被其拒绝的戏剧回忆录揭示了贝尔曼早期的杂耍实验,并记录了他早期在萨默塞特·毛姆作品中与高级喜剧的相遇,以及他早期对演员的迷恋,这是他戏剧生涯的主要焦点。这里讨论的未发表的材料是他在《纽约客》系列中的一部分,该系列讲述了他在马萨诸塞州中部的一个犹太社区长大的故事,回忆被视为贝尔曼青春期和成年早期信息的来源。由于贝尔曼的《伍斯特账户》(1954年)一书只是顺便提到了作者最终的戏剧生涯,这里所涵盖的材料阐明了他在戏剧世界中的职业选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
自引率
0.00%
发文量
15
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