“¿No habría algún lugar en que se pudiese estar como en la propia casa?” Saenz, la cuestión del “estar”, el encuentro con Heidegger y la proyección de estos asuntos en Kusch y Churata

Q4 Arts and Humanities
Elizabeth Monasterios Pérez
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Abstract

This article addresses one of the major themes for reflection in Jaime Saenz's work: the question of “el estar”, developed as an artistic-epistemological elaboration that owes nothing to Western metaphysics. What interests here is to expose a poetic, critical and philosophical tradition of Latin American making, which is built around an ontology of "estar" and through the intervention of three key thinkers who in decisive moments of their reflection coincided in Bolivia: Jaime Saenz, Gamaliel Churata and Rodolfo Kusch. From different perspectives and expectations, these thinkers installed the philosophical provocation of "estar", giving way to the disturbing proposal that "estar” in life could precede and / or problematize the Heideggerian "being" in-the-world. The present work addresses these discussions in the case of Jaime Saenz.
“没有什么地方可以像家里一样吗?”萨恩斯,“存在”的问题,与海德格尔的会面,以及这些问题在库什和丘拉塔的投影
本文论述了詹姆·萨恩斯作品中值得反思的一个主要主题:“el estar”问题,这是一种艺术认识论的阐述,与西方形而上学无关。这里感兴趣的是揭露拉丁美洲制造的诗意、批判性和哲学传统,这是围绕“estar”本体论建立的,并通过三位关键思想家的干预,他们在反思的决定性时刻与玻利维亚不谋而合:Jaime Saenz、Gamaliel Churata和Rodolfo Kusch。从不同的角度和期望,这些思想家设置了“estar”的哲学挑衅,让位于令人不安的提议,即生活中的“estar“可能先于和/或使世界上的海德格尔“存在”成为问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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