{"title":"Of nomadology: A requiem for India(n-ness)1","authors":"Avishek Ray","doi":"10.1386/cjmc_00007_1","DOIUrl":null,"url":null,"abstract":"Despite the statist imagination of the ‘nomad’ pitted against an overtly instrumental understanding of space, ‘modern’ techniques of statist demographic control, and increasing surveillance on mobility, the trope of nomadology in the context of India often characterizes\n ‘the return of the repressed’. The Buddhists in the Ancient, the Bhakti‐Sufi practitioners in the Medieval, and certain anti-imperialist ideologues in the Modern have perpetually latched on to the trope to articulate political dissidence. Thinking in these terms, the invocation\n of nomadology in Critical Theory ‐ by Deleuze and Guattari, Rosi Braidotti, Michel de Certeau and Edward Said, among others ‐ alluding to non-conformity, non-linearity and political subversion, has an intellectual history that is often purportedly grounded onto ‘India’.\n My article will explore how the dichotomy between the ‘good’ wanderer and the ‘bad’ wanderer in the ‘Indian tradition’ was premised upon a highly contingent process of religio-political partisanship and struggles over territorialization. Using the nineteenth-century\n Orientalist discourse on the Romani community and the Beats’ obsession with ‘India’ (cf. the Beat Movement) as case studies, this article, from the postcolonial vantage point, demonstrates how the impulse to assume nomadology as characteristic of ‘India(n-ness)’\n ‐ to have perpetually existed in the ‘Indian’ cultural repertoire ‐ is symbolic of an ahistorical and essentialist notion of ‘India’.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Crossings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/cjmc_00007_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
Despite the statist imagination of the ‘nomad’ pitted against an overtly instrumental understanding of space, ‘modern’ techniques of statist demographic control, and increasing surveillance on mobility, the trope of nomadology in the context of India often characterizes
‘the return of the repressed’. The Buddhists in the Ancient, the Bhakti‐Sufi practitioners in the Medieval, and certain anti-imperialist ideologues in the Modern have perpetually latched on to the trope to articulate political dissidence. Thinking in these terms, the invocation
of nomadology in Critical Theory ‐ by Deleuze and Guattari, Rosi Braidotti, Michel de Certeau and Edward Said, among others ‐ alluding to non-conformity, non-linearity and political subversion, has an intellectual history that is often purportedly grounded onto ‘India’.
My article will explore how the dichotomy between the ‘good’ wanderer and the ‘bad’ wanderer in the ‘Indian tradition’ was premised upon a highly contingent process of religio-political partisanship and struggles over territorialization. Using the nineteenth-century
Orientalist discourse on the Romani community and the Beats’ obsession with ‘India’ (cf. the Beat Movement) as case studies, this article, from the postcolonial vantage point, demonstrates how the impulse to assume nomadology as characteristic of ‘India(n-ness)’
‐ to have perpetually existed in the ‘Indian’ cultural repertoire ‐ is symbolic of an ahistorical and essentialist notion of ‘India’.
期刊介绍:
Crossings: Journal of Migration & Culture situates itself at the interface of Migration Studies and Cultural Studies. The terminology and key concepts in use in discourses on migration have yet to be sufficiently theorized or understood from theoretical perspectives linked to cultural studies, although migration is intrinsically linked to questions of culture. The course of cultures at both local and global levels is crucially affected by migratory movements. In turn, culture itself is turned migrant. This journal''s scope will be global, with a predominant focus on migration and culture from the latter half of the twentieth century to the present-day. Apart from the inclusion of refereed articles, Crossings: Journal of Migration and Culture will include a section of reviews of films, music, photography, exhibitions or books on migration-related topics, interviews with cultural practitioners who focus on migration-related topics, and oral histories of migrant cultural experiences.