{"title":"Holocaust Memory and Postcolonialism: Transatlantic Perspectives on the Debate","authors":"Frank Biess","doi":"10.1017/S0008938923000109","DOIUrl":null,"url":null,"abstract":"German commemorative culture is clearly in flux. Over the last year or so, a series of seemingly never-ending controversies have made it abundantly clear that, more than seventy-five years after the end of the Second World War, the memory of National Socialism and the Holocaust is not only very much present in contemporary Germany but also remains deeply contested. The list of controversies is familiar to everybody who has followed German public debates over the last three years: first the debate over the planned appearance of the Cameroonian philosopher Achille Mbembe at the 2020 Ruhr-Trienale in the spring of 2020; then the publication of the German translation of Michael Rothberg's book Multidirectional Memory in March 2021 and the heated controversy around A. Dirk Moses's “catechism” blog article a few months later; and finally, the recent debate about antisemitism at the documenta art exhibition curated by an Indonesian artist collective.","PeriodicalId":45053,"journal":{"name":"Central European History","volume":"56 1","pages":"270 - 272"},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Central European History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/S0008938923000109","RegionNum":3,"RegionCategory":"人文科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
German commemorative culture is clearly in flux. Over the last year or so, a series of seemingly never-ending controversies have made it abundantly clear that, more than seventy-five years after the end of the Second World War, the memory of National Socialism and the Holocaust is not only very much present in contemporary Germany but also remains deeply contested. The list of controversies is familiar to everybody who has followed German public debates over the last three years: first the debate over the planned appearance of the Cameroonian philosopher Achille Mbembe at the 2020 Ruhr-Trienale in the spring of 2020; then the publication of the German translation of Michael Rothberg's book Multidirectional Memory in March 2021 and the heated controversy around A. Dirk Moses's “catechism” blog article a few months later; and finally, the recent debate about antisemitism at the documenta art exhibition curated by an Indonesian artist collective.
期刊介绍:
Central European History offers articles, review essays, and book reviews that range widely through the history of Germany, Austria, and other German-speaking regions of Central Europe from the medieval era to the present. All topics and approaches to history are welcome, whether cultural, social, political, diplomatic, intellectual, economic, and military history, as well as historiography and methodology. Contributions that treat new fields, such as post-1945 and post-1989 history, maturing fields such as gender history, and less-represented fields such as medieval history and the history of the Habsburg lands are especially desired. The journal thus aims to be the primary venue for scholarly exchange and debate among scholars of the history of Central Europe.