Violence, crime, and psychiatry in the Spanish punk imaginary; General portrait

Abstract

Previous findings suggest that the mass media depictions of people with mental disorders emphasize violence and criminality, unpredictable behaviour, and social incompetence. Our overall objective was to draw a general portrait of subcultural representations of criminal and violent behavior in the context of psychiatry. The content analysis of 190 song lyrics from a sample of 7777 outlined the elements composing the depictions of crime and violence and their connections with mental disorders in Spanish punk music (1981–2010). Two approaches were identified: one group of songs emphasized descriptions of violent and criminal behavior, while the other focused on psychiatric symptoms, syndromes, or diagnoses (appearing the violent or criminal behavior as epiphenomena of mental health problems). Quantitatively, songs with themes alluding to homicidal behavior predominated, with multiple homicide being widely portrayed. Regarding psychiatric disorders, substance use prevailed and, to a lesser extent, antisocial personality traits and psychotic symptoms. The depictions found are closely related to the connotations expected in the general population. Thus, we found a predilection for violent crimes and frequent allusions to the perpetrator as ‘mentally disturbed.’ It is consistent with the greater frequency of descriptions of violent crime in the media, despite its relative infrequency to other types of crime. Likewise, it coincides with the cultural interest in homicide and how it nourishes the current entertainment industry. However, some distinctive features in punk music included positive connotations for social deviance, and even antisocial traits, as a form of identity affirmation and opposition to the social order. On the other hand, violence and crime serve fundamentally punk provocativeness rather than a mythification or aesthetic enjoyment of crime. The portrayal of crime in the punk narratives was constructed around different non-exclusive sources whose contribution varied between compositions. It included the contents learned from and transmitted through the mass media, mainly the press, films, and television. These media provide both factual and fictional content (intertextuality). Other artistic manifestations can equally contribute to the interdiscursive ambit. The influence of crime news from abroad was relevant in depictions of mass murder (particularly, mass shootings), the same as intertextuality (mainly based on non-Spanish productions) for the subcultural portrayals of serial killers. Generally, the medical and criminological sciences have limited influence on the opinions of the general population, which continue to rely mostly on biased reports from mass media. This is a pending task for the scientific, academic, and clinical fields, hence the relevance of a dialogue between art, culture, media, and psychiatry.