Hybrid art space typologies in Singapore from social media data

Q1 Social Sciences
Ludovica Tomarchio , Pieter Herthogs , Bige Tunçer
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引用次数: 0

Abstract

With the introduction of social media, the production and consumption of art are changing significantly in urban environments. It has resulted in the emergence of Hybrid Art Spaces: social spaces existing both in physical space and on social media.

This paper expands the relationships between art, space and social media with concepts and spatial analyses to support the practices of exhibition designers, communication designers, as well as curators.

This paper describes both the methodology and the results obtained by processing Instagram data to explore the use of social media in art venues.

The methodology combines analytical results with new modes of visualisations, which are imagined supporting design thinking. Through the analytical results and the visualisations, the paper addresses key points in the use of social media in art venues, including the underlying mechanisms that promote viral dissemination of media in specific art venues and the possibility to discuss typologies of hybrid art venues. The case study is Singapore, with a focus on five different museums.

来自社交媒体数据的新加坡混合艺术空间类型
随着社交媒体的引入,艺术的生产和消费在城市环境中发生了重大变化。它导致了混合艺术空间的出现:存在于物理空间和社交媒体上的社交空间。本文通过概念和空间分析扩展了艺术、空间和社交媒体之间的关系,以支持展览设计师、传播设计师和策展人的实践。本文描述了通过处理Instagram数据来探索社交媒体在艺术场所的使用的方法和结果。该方法将分析结果与新的可视化模式相结合,这些模式是支持设计思维的想象。通过分析结果和可视化,本文阐述了在艺术场所使用社交媒体的关键点,包括促进媒体在特定艺术场所病毒式传播的潜在机制,以及讨论混合艺术场所类型的可能性。案例研究是新加坡,重点关注五个不同的博物馆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
City, Culture and Society
City, Culture and Society Economics, Econometrics and Finance-Economics, Econometrics and Finance (miscellaneous)
CiteScore
4.00
自引率
0.00%
发文量
26
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