Sergei Eisenstein, Aleksandr Ptushko and Valentin Kadochnikov: on the history of the Soviet fantasy film

IF 0.1 0 FILM, RADIO, TELEVISION
Nina Sputnitskaia
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引用次数: 0

Abstract

ABSTRACT This article identifies the specific features of the original style of production designer and director Valentin Kadochnikov (1912–42) in his work on adapting fairy tales for the cinema in the 1930s–1940s. For this purpose, the article introduces previously unknown archival documents and evidence into the scholarly discourse, and adds new features to the creative portraits of Russian directors Sergei Eisenstein, Aleksandr Ptushko and Valentin Kadochnikov. The article provides an overview of archival sources, letters and director’s concepts. The analysis of the artistic structure of the films Ruslan and Ludmila (dir. Ptushko, 1972), New Moscow (Novaia Moskva, dir. Aleksandr Medvedkin, 1938), The Magic Seed (Volshebnoe zerno, dir. Kadochnikov, 1941) and the drafts for a film based on the Kazakh epic poem Kozy Korpesh are used to demonstrate how the poetics of Eisenstein and Ptushko influenced Kadochnikov’s films.
谢尔盖·爱森斯坦,亚历山大·普图什科和瓦伦丁·卡多奇尼科夫:苏联奇幻电影的历史
本文分析了20世纪30年代至40年代制作设计师兼导演瓦伦丁·卡多奇尼科夫(1912 - 1942)将童话改编为电影作品的独特风格。为此,本文将以前不为人知的档案文件和证据引入学术论述,并为俄罗斯导演谢尔盖·爱森斯坦、亚历山大·普图什科和瓦伦丁·卡多奇尼科夫的创造性肖像增添了新的特征。本文概述了档案来源、信件和主任的概念。电影《鲁斯兰》和《柳德米拉》的艺术结构分析。普图什科,1972年),新莫斯科(新莫斯科,主任。亚历山大·梅德维金,1938),《神奇的种子》(Volshebnoe zerno,导演)。卡多奇尼科夫,1941)和根据哈萨克史诗Kozy Korpesh改编的电影草稿被用来展示爱森斯坦和普图什科的诗学如何影响卡多奇尼科夫的电影。
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来源期刊
Studies in Russian and Soviet Cinema
Studies in Russian and Soviet Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
22
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