Reframing Landscape

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2021-02-01 DOI:10.1162/artm_a_00281

W. Mitchell

引用次数: 2

Abstract

“Reframing Landscape” explores three distinct landscapes that have been decisively impacted by conquest and colonization, reframed by three artistic interventions: painting, photography, and sculpture. August Earle shows us the de-forested landscape of 19th century New Zealand, still guarded by a Maori totem; Miki Kratsman photographs a wall mural in occupied Palestine that erases the presence of indigeneous people; and Antony Gormley anticipates the clearing of Manhattan by a pandemic in whirlwind of metal. Real spaces and places are converted into landscapes of attention into what has been lost and what is to come.

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重塑景观

“重塑景观”探索了三种不同的景观，它们受到了征服和殖民的决定性影响，并通过三种艺术干预进行了重塑：绘画、摄影和雕塑。August Earle向我们展示了19世纪新西兰的森林景观，仍然由毛利图腾守护；Miki Kratsman在被占领的巴勒斯坦拍摄了一幅壁画，抹去了土著人的存在；安东尼·葛姆雷（Antony Gormley）预计，新冠疫情将席卷曼哈顿。真实的空间和地方被转化为景观，关注已经失去的和即将到来的东西。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.