Crafting Authenticity: Reality, Storytelling, and Female Self-Representation through Instapoetry

Q1 Arts and Humanities
M. Manning
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引用次数: 4

Abstract

Abstract:This article focuses on the phenomenon of instapoetry, considering the ways that this literary genre exists as a subset of other digital poetic fields. In examining this genre, I use the work of a number of instapoets, considering how this cohort create an aesthetic that is specifically built for this medium of dissemination. In a digital age, questions of identity and the ways in which we disseminate become more and more complex. In this article, I examine how instapoetry tackles issues of authenticity, particularly in light of the highly contentious nature of influencer culture and Instagram as a site that has a tendency to distort our vision of the world. In this exploration, I interrogate the tensions between these perceptions and an era of poetic expression that has been charged with favoring authenticity above poetic craft (Watts). This article examines the stories told by instapoets as well as the depiction of the self that is curated via the site. Finally, in light of all of this, I explore the potential of Instagram and instapoetry as a location for women's self-expression and self-representation in the digital age, and examine how this genre has allowed for a greater range of identities and self-expressions to be reflected.
通过Instapoetics打造真实性:现实、故事讲述和女性自我表达
摘要:本文关注的是即时诗歌现象,考虑到这种文学流派作为其他数字诗歌领域的一个子集存在的方式。在研究这一类型时,我使用了一些instapoeters的作品,考虑到这一群体是如何创造出一种专门为这种传播媒介构建的美学的。在数字时代,身份问题和我们传播的方式变得越来越复杂。在这篇文章中,我研究了Instapo诗是如何解决真实性问题的,特别是考虑到影响者文化的高度争议性,以及Instagram作为一个倾向于扭曲我们对世界的看法的网站。在这一探索中,我质疑了这些感知与一个诗歌表达时代之间的紧张关系,这个时代被指控支持真实性而非诗歌技巧(瓦茨)。这篇文章考察了instapoets讲述的故事,以及通过该网站策划的对自我的描绘。最后,鉴于所有这些,我探索了Instagram和Instapo诗在数字时代作为女性自我表达和自我表达场所的潜力,并研究了这种类型是如何让更多的身份和自我表达得以反映的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Storytelling, Self, Society
Storytelling, Self, Society Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
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