{"title":"In Passing","authors":"P. Khanolkar","doi":"10.1215/08992363-9937311","DOIUrl":null,"url":null,"abstract":"\n The expansionist mode of neoliberal urbanization relies on a subtractive logic that transforms lives, habitats, and rhythms along its path as both expendable and profitable. This essay uses the conceptual lens of “passages” to read how urban entities, those rendered “expendable,” seep back in through different urban passages and play the game of urbanization. These passages are not given, but constellated by drawing disparate urban entities into a relationship. In them, urban entities, although deemed expendable, are in medias res and incomplete; they are the mediums in which life takes form; and they have the “abilities” to take on many forms. The essay thus departs from the demographic and territorial notions of “what is urban,” to explore the urban as a constitutive medium composed of numerous passages. It asks, What is at play in them? What life forms in passing? And how might we conceive of Walter Benjamin's Passagen-Werk down South?","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-9937311","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
The expansionist mode of neoliberal urbanization relies on a subtractive logic that transforms lives, habitats, and rhythms along its path as both expendable and profitable. This essay uses the conceptual lens of “passages” to read how urban entities, those rendered “expendable,” seep back in through different urban passages and play the game of urbanization. These passages are not given, but constellated by drawing disparate urban entities into a relationship. In them, urban entities, although deemed expendable, are in medias res and incomplete; they are the mediums in which life takes form; and they have the “abilities” to take on many forms. The essay thus departs from the demographic and territorial notions of “what is urban,” to explore the urban as a constitutive medium composed of numerous passages. It asks, What is at play in them? What life forms in passing? And how might we conceive of Walter Benjamin's Passagen-Werk down South?
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.