Hegemoni Negara terhadap Seni Reyog Ponorogo

Aristo Pub Date : 2019-07-01 DOI:10.24269/ARS.V7I2.1773
Jusuf Harsono
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引用次数: 5

Abstract

The existence of art Reyog Ponorogo until now it is a traditional art Ponorogo Regency, community pride even in politics is needed by the existence of the political elite, nevertheless the availability of the arts it politically sufficiently interesting to observe in the political dynamics localized in Ponorogo. How the political elite or the state doing my hegemony on all aspects of this art Reyog Ponorogo. This study using several methods to get clarification on the problems on some of them are with the interview, observation, and documentation. The result showed that elite politics or the state has made various ways to Hegemony art Reyog Ponorogo as a mass mobilization of effective local. especially in the dynamics of politics.
霸权国家反对艺术Reyog Ponorogo
Reyog Ponorogo艺术的存在直到现在,它是一个传统的艺术波诺罗戈摄政时期,政治精英的存在需要社区自豪感,即使是政治上的自豪感,然而艺术的可用性在政治上也足够有趣,可以在波诺罗戈地区的政治动态中观察到。政治精英或国家如何在这门艺术的各个方面做我的霸权Reyog Ponorogo。本研究采用了多种方法来澄清其中一些问题,包括访谈、观察和文献资料。结果表明,无论是精英政治还是国家,都通过各种方式将霸权主义艺术Reyog Ponorogo作为一种有效的地方群众动员。尤其是在政治动态方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
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发文量
18
审稿时长
5 weeks
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