Provocation as a Genre: Rhetorical Definitions of MeToo Discourse

Q2 Arts and Humanities
Eglė Gabrėnaitė, Monika Triaušytė
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引用次数: 0

Abstract

Modern media has led to changes in the scope, intensity and effectiveness of communication. The Internet medium, which offers almost unlimited dialogue and polylogue possibilities, has become an attractive place for provocation to be born and function. The provocative narrative not only inspires these processes, but also becomes as a result of such a genre modification. This article analyzes a provocative discourse, the Lithuanian version of the global movement MeToo, which promotes the publication of cases of sexual harassment: testimonies of women who have been sexually harassed, publications in the media discussing the issue, interviews with discourse participants, another type of comments. The MeToo discourse is characterized by a rhetorical aspect: the concept of provocation as an effective communication strategy is explored; the relationship of the provocative narrative to the genre category is discussed; characteristic rhetorical elements – invention, disposition, elocution – have been distinguished.
挑衅作为一种体裁:MeToo话语的修辞定义
现代媒体已经改变了传播的范围、强度和有效性。互联网媒介提供了几乎无限的对话和多语言的可能性,已经成为挑衅产生和发挥作用的一个有吸引力的地方。挑衅性的叙事不仅激发了这些过程,而且是这种类型修改的结果。这篇文章分析了一种挑衅性的话语,即立陶宛版的全球运动MeToo,该运动提倡公布性骚扰案件:遭受性骚扰的妇女的证词、媒体上讨论这一问题的出版物、对话语参与者的采访、另一种类型的评论。MeToo话语具有修辞特征:探讨了挑衅作为一种有效沟通策略的概念;探讨了挑衅性叙事与类型范畴的关系;特色修辞元素&发明、性格、演讲都已被区分开来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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