Dialogue with the Bible in the Poetical Dramas by Lesya Ukrainka: Philosophical Reflections and Dominant Symbols

Q2 Arts and Humanities
Maryana Hirnyak
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引用次数: 0

Abstract

The article posits that the Biblical code is one of the most important pillars in the interpreting the literary works by Lesya Ukrainka, one of Ukraine’s renowned writers. Her verse dramas foreground Biblical intertextuality, which becomes a starting point for intellectual debates in the Ukrainian ‘fin de siècle’ on such essential problems as freedom and love, social and mental slavery, and the mission of art. The problems of (mis)treating the essence of God’s Kingdom and the human relationship with God are also centrepieces of Lesya Ukrainka’s dialogicality with the Bible. In the writer’s verse dramas, the explicit and implicit Biblical intertexts specify the active double-voiced discourse, which exhibits an interaction of the different consciousnesses. Following this, the text of the Scriptures provides the background for the dominant symbols (harp, stone and light) that can be actualized by the informed reader both through the allusions and via the reminiscences in Lesya Ukrainka’s dramatum.
列西娅·乌克兰卡诗剧中与圣经的对话:哲学反思与主导符号
文章认为,在解读乌克兰著名作家莱斯娅·乌克兰卡的文学作品时,《圣经》法典是最重要的支柱之一。她的诗歌剧突出了《圣经》互文性的前景,这成为乌克兰“最后一刻”关于自由与爱、社会和精神奴役以及艺术使命等基本问题的智力辩论的起点。(错误地)对待上帝王国的本质以及人类与上帝的关系的问题也是莱斯亚·乌克兰卡与《圣经》对话的核心。在作家的诗歌戏剧中,《圣经》中明确和隐含的互文规定了活跃的双声话语,表现出不同意识的互动。在此之后,圣经文本为占主导地位的符号(竖琴、石头和光)提供了背景,知情的读者可以通过莱西亚·乌克兰卡戏剧中的典故和回忆来实现这些符号。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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