Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION
W. Abbiss
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引用次数: 0

Abstract

This article examines the CBC/Netflix coproduction Anne with an E (2017–19), a leading example of cross-platform coproduction whose legacy is disrupted by the drama’s unexpected cancellation. Theories of cultural and media imperialism are discussed to contextualise this circumstance, along with an overview of the Canadian media policy context. The relationship between the CBC’s public service model and Netflix’s subscription service is considered, followed by an analysis of the increased cultural representation of the drama, which incorporates Black, queer and Indigenous identities. The article concludes by suggesting what Anne with an E’s cancellation may mean for the future of cross-platform coproductions.
被这个辉煌的媒体景观所吸引:安妮与E和跨平台合作制作
本文考察了CBC/Netflix联合制作的《安妮与E》(2017–19),这是跨平台联合制作的一个主要例子,其遗产因该剧的意外取消而被打乱。本文讨论了文化和媒体帝国主义的理论,并对加拿大的媒体政策背景进行了概述。考虑了加拿大广播公司的公共服务模式和网飞的订阅服务之间的关系,然后分析了该剧日益增加的文化代表性,该剧融合了黑人、酷儿和土著身份。文章最后提出了取消E的Anne对跨平台合作的未来可能意味着什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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