The Delightful Phrase: Are There Really Designerly Ways of Knowing?

IF 0.4 2区 艺术学 0 ARCHITECTURE
DESIGN ISSUES Pub Date : 2023-07-01 DOI:10.1162/desi_a_00727
Richard Herriott
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引用次数: 0

Abstract

“Designerly ways of knowing” is a phrase used in the much-cited article of the same name, written by Nigel Cross in 1982.1 The phrase was first used in Design in General Education2; it has been called “delightful”3; and Cross often refers to it in his subsequent publications.4 The key sentence in Cross’s 1982 article is this: “Design has its own distinct ‘things to know, ways of knowing them, and ways of finding out about them.’”5 Particularly in this article, this concept of “designerly ways of knowing” is under scrutiny. The concept is only part of Cross’s argument, which was especially concerned with the role of design in education. Cross argues that the aim of education in design is not instrumental but for its own sake, for reasons stemming from design’s intrinsic values. These intrinsic values, he argues, depend on “designerly ways of knowing.” In a later article, Cross also argues that design research and design education also are concerned with designerly ways of knowing.6 What began as an element in an argument about design education has led to the pervasive presence of the concept of designerly ways of knowing in design research. As of December 2022, Cross’s article has been cited approximately 5,540 times.7
有趣的短语:真的有专门的认识方法吗?
奈杰尔·克罗斯(Nigel Cross)于1981年撰写的同名文章中使用了“设计的认知方式”这一短语。2.1该短语首次用于普通教育设计2;它被称为“令人愉快”3;克罗斯在随后的出版物中经常提到这一点。4克罗斯1982年文章中的关键一句是:“设计有自己独特的‘要知道的事情、了解它们的方式和发现它们的方式’。”。这个概念只是克罗斯论点的一部分,他特别关注设计在教育中的作用。克罗斯认为,设计教育的目的不是工具性的,而是为了它自己,原因源于设计的内在价值。他认为,这些内在价值观取决于“设计性的认知方式”。在后来的一篇文章中,克罗斯还认为,设计研究和设计教育也与设计性的认识方式有关。6最初作为设计教育争论的一个元素,导致设计性认知方式的概念在设计研究中普遍存在。截至2022年12月,克罗斯的文章已被引用约5540次。7
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
DESIGN ISSUES
DESIGN ISSUES ARCHITECTURE-
CiteScore
1.60
自引率
0.00%
发文量
23
期刊介绍: The first American academic journal to examine design history, theory, and criticism, Design Issues provokes inquiry into the cultural and intellectual issues surrounding design. Regular features include theoretical and critical articles by professional and scholarly contributors, extensive book reviews, and illustrations. Special guest-edited issues concentrate on particular themes, such as artificial intelligence, product seminars, design in Asia, and design education. Scholars, students, and professionals in all the design fields are readers of each issue.
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