On GIFT (Gateshead International Festival of Theatre) 2022

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118731

H. Freshwater

引用次数: 0

Abstract

The Gateshead International Festival of Theatre (GIFT) has been running since 2011. It is an annual opportunity for audiences and artists to gather and share experimental work with a strong focus on collaboration and conversation. As noted in my interview with the Festival’s Director, Kate Craddock (which is also published in this special issue of CTR), it went online for 2020 and 2021. 2022 marked its return to in-person activity. I attended almost all of the events in the programme, which stretched across three days from Friday 30 April to Sunday 2 May 2022.

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关于GIFT（盖茨黑德国际戏剧节）2022

盖茨黑德国际戏剧节（GIFT）自2011年开始举办。这是观众和艺术家聚集和分享实验作品的年度机会，重点是合作和对话。正如我在对电影节导演凯特·克拉多克的采访中所指出的（该采访也发表在本期CTR特刊上），它在2020年和2021年上线。2022年标志着它重返现场活动。我参加了该节目中几乎所有的活动，从2022年4月30日星期五到5月2日星期日，为期三天。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

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0.00%

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期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.