Jokering Bodies

Vonzell Agosto, Lasonja Roberts, María Migueliz Valcarlos, Tara Nkrumah, Tanetha Grosland, Andrew Bratspis, Nathalie Q. Warren, Edwin W. Reynolds
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引用次数: 2

Abstract

This article brings forth the difficulties and possibilities of enacting the role of “Joker” from Boal’s (1979) Joker System—formerly called the poetics of the oppressed. The authors acknowledge jokering as an apprehensive performance of brokering, of bodies that matter and are matter, that can provoke anti-oppressive actions and reinscribe oppressions. As such, four backdrops are engaged to further the methodological, theoretical, and curricular/pedagogical force of jokering as a performance that unsettles the status quo: Latina/Chicana feminist theories used in mentoring, performance-based action research with middle-school students, professional leadership development for schools, and socio-technological analysis with theatre in online/distance education. Each example from our praxis illustrates how the roles of emerging researcher, mentor-researcher, and researcher-practitioner are performed and troubled (jokered) from different disciplinary and theoretical perspectives to foster social justice praxis and outcomes.
开玩笑的身体
本文从博阿尔(1979)的《小丑体系》(前身为《被压迫者诗学》)中提出了“小丑”角色塑造的困难和可能性。作者们承认,开玩笑是一种令人担忧的中介行为,是对重要和已经重要的机构的经纪行为,可以引发反压迫行动并重新描述压迫。因此,四个背景被用来进一步推动玩笑作为一种扰乱现状的表演的方法论、理论和课程/教学力量:指导中使用的拉丁裔/Chicana女权主义理论、对中学生的基于绩效的行动研究、学校的专业领导力发展、,以及在线/远程教育中的戏剧社会技术分析。我们实践中的每一个例子都说明了新兴研究者、导师研究者和研究者实践者的角色是如何从不同的学科和理论角度来表现和困扰(开玩笑)的,以促进社会正义实践和结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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