Shakespeare's Transplant Poetics: Vegetable Blazons and the Seasons of Pyramus's Face

IF 0.1 Q4 CULTURAL STUDIES
Vin Nardizzi
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Abstract

Abstract:This essay places into conversation early modern trans studies and critical plant studies. It theorizes a transplant poetics that accompanies and expands upon the tranimal in trans studies. It identifies as vegetable blazons early modern poems that employ plant figures to depict the human form. It further explores those traditions in Shakespeare's A Midsummer Night's Dream and in the portraits of Giuseppe Arcimboldo. Both examples of transplant poetics cross human flesh with vegetable figure; they unsettle typical coordinates of gender presentation; and they put a halt to the cyclicality of the seasons by arranging the produce of all four seasons simultaneously. Transplant poetics thus expresses these faces of trans embodiment as still life.
莎士比亚的移植诗学:蔬菜的火焰和皮拉摩斯脸上的季节
摘要:本文将讨论早期现代跨性别研究和批判植物研究。它理论化了一种移植诗学,这种移植诗学伴随着并扩展了跨性别研究中的动物。它认为早期现代诗歌是用植物形象来描绘人类形象的。它在莎士比亚的《仲夏夜之梦》和朱塞佩·阿钦博尔多的肖像中进一步探索了这些传统。这两个移植诗学的例子都将人肉与蔬菜形象交叉;它们扰乱了典型的性别表现坐标;他们通过同时安排所有四个季节的产品来停止季节的周期性。移植诗学因此将这些跨体化的面孔表现为静物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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