The wrath of God or national hero? Nader Shah in European and Iranian historiography

IF 0.3 4区 社会学 0 ASIAN STUDIES
R. Matthee
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引用次数: 1

Abstract

This article examines the way in which Iran's eighteenth-century ruler Nader Shah was portrayed in contemporary Europe as well as in Iran, and how the resulting image—half national hero, half ruthless warlord—has resonated until today. In an age short on ‘great’ leaders, Nader spoke to the imagination like no other contemporary ruler, Western or Asian. Nader's subsequent record can be read as a palimpsest, a layered series of images of multiple world conquerors, from Alexander to Napoleon. The latter, who shared Nader's humble background and evoked a similar ambivalence, represented the closest analogue, turning him into the European Nader Shah. In the modern West, Nader no longer speaks to the imagination. Modern Iranians, by contrast, have come to see him as the Iranian Napoleon. While still ambivalent about him, they admire him as the ruler who regenerated the nation and ended foreign occupation, yet his undeniable cruelty and imperialism make him an awkward national hero.
上帝的愤怒还是民族英雄?纳德·沙在欧洲和伊朗史学上的地位
本文考察了18世纪伊朗统治者纳德尔·沙阿在当代欧洲和伊朗的形象,以及由此产生的半民族英雄、半无情军阀的形象是如何直到今天仍能引起共鸣的。在一个缺乏“伟大”领导人的时代,纳德对想象力的表达,没有任何同时代的统治者,无论是西方还是亚洲。纳德后来的记录可以被解读为一本重写本,是一系列从亚历山大到拿破仑的多个世界征服者的分层图像。后者和纳德有着同样卑微的背景,也让人产生了类似的矛盾心理,是最接近的类比,把他变成了欧洲的纳德·沙阿(Nader Shah)。在现代西方,纳德不再是想象力的代言人。相比之下,现代伊朗人将他视为伊朗的拿破仑。虽然他们对他仍然充满矛盾,但他们钦佩他,认为他是复兴国家并结束外国占领的统治者,然而他不可否认的残酷和帝国主义使他成为一个尴尬的民族英雄。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
55
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