Bartolomeo Passerotti nella chiesa parrocchiale di Vico, in Corsica

IF 0.2 0 ART
Angela Ghirardi
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Abstract

In the very rich collection of paintings, assembled in the first decades of the nineteenth century by Cardinal Joseph Fesch, Napoleon's maternal uncle, the altarpiece with the Christ between S. Girolamo and S. Francesco bearing the cross and followed by a procession of Franciscans carrying the cross by Bartolomeo Passerotti was kept. With the passage of time and with the transfer, which took place in 1864, from the museum of Ajaccio - where a part of the Fesch collection was brought- to the parish church of Vico, a mountain village near the Gulf of Sagone in Corsica, the name of the author of the altarpiece was lost. It was found some years ago, but Vico's altarpiece is still ignored by the artist's catalogs, nor has it been the subject of specific studies. This contribution proposes a new reading of the altarpiece, based on iconographic and stylistic analysis, and indicates a more ancient provenance from the collection of Prince Filippo Hercolani.
科西嘉维科教区教堂的巴塞洛缪·斯派洛蒂
拿破仑的外叔父约瑟夫·费施枢机主教在19世纪前几十年收藏了非常丰富的绘画作品,其中保存着s.Girolamo和s.Francesco之间的基督祭坛画,十字架由巴托洛梅奥·帕塞罗蒂(Bartolomeo Passerotti)举着,随后是方济各会的游行队伍。随着时间的推移,1864年从阿雅克肖博物馆(Fesch藏品的一部分被带到了这里)转移到科西嘉萨贡湾附近的一个山村维科教区教堂,祭坛画作者的名字消失了。它是几年前发现的,但维科的祭坛画仍然被艺术家的目录所忽视,也没有成为具体研究的主题。这篇文章基于图像学和风格分析,提出了对祭坛画的新解读,并指出了菲利波·赫科拉尼王子收藏的更古老的出处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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