{"title":"Indigenous language use in museum spaces","authors":"Julia Schillo, Mark Turin","doi":"10.1111/muan.12274","DOIUrl":null,"url":null,"abstract":"<p>In the summer of 2020, two museums in Vancouver, British Columbia, Canada, simultaneously hosted art exhibitions by Indigenous artists. The Vancouver Art Gallery (VAG) hosted an exhibition of works by Shuvinai Ashoona, an Inuk artist part of the Dorset Fine Arts Co-operative, based in Kinngait, Nunavut. At the same time, the Museum of Anthropology (MOA) hosted an exhibition of the work of Kent Monkman, a Cree artist known for exploring themes of colonization and sexuality in his work. Each exhibition offered signage in an Indigenous language: in Inuktitut and Cree, respectively. Reflecting on the ways Inuktitut and Cree were used in these exhibitions has led us to write this review article, in which we draw on recent scholarship that addresses questions of language in museum spaces (Sönmez et al., 2020; Lazzeretti, 2016).</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/muan.12274","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
In the summer of 2020, two museums in Vancouver, British Columbia, Canada, simultaneously hosted art exhibitions by Indigenous artists. The Vancouver Art Gallery (VAG) hosted an exhibition of works by Shuvinai Ashoona, an Inuk artist part of the Dorset Fine Arts Co-operative, based in Kinngait, Nunavut. At the same time, the Museum of Anthropology (MOA) hosted an exhibition of the work of Kent Monkman, a Cree artist known for exploring themes of colonization and sexuality in his work. Each exhibition offered signage in an Indigenous language: in Inuktitut and Cree, respectively. Reflecting on the ways Inuktitut and Cree were used in these exhibitions has led us to write this review article, in which we draw on recent scholarship that addresses questions of language in museum spaces (Sönmez et al., 2020; Lazzeretti, 2016).
期刊介绍：
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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