{"title":"Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today","authors":"Anthony Sullivan","doi":"10.1080/1362704X.2022.2046861","DOIUrl":null,"url":null,"abstract":"Abstract Recent revelations about illegally low wages and abject working conditions in Leicester’s “dark” garment factories—endured by its vulnerable mainly global majority and migrant workforce—have once again highlighted British fashion’s benighted “other” and its reliance on cheapened and “expendable” “racialized” sweated labor. Forced to work on through the Covid pandemic to produce fast fashion for e-commerce brands, “British” fashion manufacture now reflects the wider plight of the global CMT (Cut, Make and Trim) army, who at considerable personal risk and cost, manufacture most of our fashion. Drawing on a set of theoretical innovations in Marxist and post-Marxist theory, notably Smith and Suwandi theory of labor “super-exploitation,” De Genova’s work on the disciplining of migrants through “border regimes and spectacles” and Gargi Bhattacharyya’s critical reading of Cedric Robinson’s thesis of “Racial Capitalism” (1983), this article explains how and why its specter still castes such a deep and troubling shadow over the production of fashion.","PeriodicalId":51687,"journal":{"name":"Fashion Theory-The Journal of Dress Body & Culture","volume":"26 1","pages":"493 - 508"},"PeriodicalIF":0.7000,"publicationDate":"2022-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fashion Theory-The Journal of Dress Body & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1362704X.2022.2046861","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Recent revelations about illegally low wages and abject working conditions in Leicester’s “dark” garment factories—endured by its vulnerable mainly global majority and migrant workforce—have once again highlighted British fashion’s benighted “other” and its reliance on cheapened and “expendable” “racialized” sweated labor. Forced to work on through the Covid pandemic to produce fast fashion for e-commerce brands, “British” fashion manufacture now reflects the wider plight of the global CMT (Cut, Make and Trim) army, who at considerable personal risk and cost, manufacture most of our fashion. Drawing on a set of theoretical innovations in Marxist and post-Marxist theory, notably Smith and Suwandi theory of labor “super-exploitation,” De Genova’s work on the disciplining of migrants through “border regimes and spectacles” and Gargi Bhattacharyya’s critical reading of Cedric Robinson’s thesis of “Racial Capitalism” (1983), this article explains how and why its specter still castes such a deep and troubling shadow over the production of fashion.
期刊介绍:
The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.