Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham's Data

IF 0.3 3区 艺术学 0 DANCE
Harmony Bench, Kate Elswit
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引用次数: 3

Abstract

This interim project report addresses the ongoing work of Dunham's Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry. The project centres choreographer Katherine Dunham's transnational circulation, and takes a critical mixed methods approach informed by feminist and anti-racist discussions in the digital humanities in order to explore the questions and problems that make data analysis and visualization meaningful for dance history. Dunham's Data sits on robust datasets that we have manually curated from currently undigitized sources – an iterative and evaluative process that approaches these archives and the histories that they contain from a granular perspective. This update contextualizes our particular conjunction of archival and digital methods within dance history's precedents for curating data, and talks through our own datasets as tools for dance historical analysis in terms of Dunham's global legacy.
舞蹈史与数字人文在档案馆相遇:关于Dunham数据的中期项目报告
这份中期项目报告介绍了Dunham的数据:Katherine Dunham和舞蹈历史调查的数字方法正在进行的工作。该项目以编舞家凯瑟琳·邓纳姆的跨国传播为中心,并在数字人文学科中的女权主义和反种族主义讨论中采用批判性的混合方法,以探索使数据分析和可视化对舞蹈史有意义的问题和问题。Dunham的数据位于稳健的数据集上,这些数据集是我们从目前未数字化的来源手动整理的 – 一个迭代和评估过程,从细粒度的角度处理这些档案及其包含的历史。这一更新将我们在舞蹈史数据管理先例中的档案和数字方法的特殊结合置于背景之中,并通过我们自己的数据集,就Dunham的全球遗产而言,将其作为舞蹈历史分析的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
9
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