{"title":"The Spread of New Chinese Socialist Martial Arts Films in Africa","authors":"Yong Zhang, Yiwen Xia","doi":"10.1080/13696815.2022.2135494","DOIUrl":null,"url":null,"abstract":"ABSTRACT In the 1970s, Hong Kong kung fu films were distributed across Africa and reached large audiences. Although the spread of Hong Kong films in Africa has received some scholarly attention worldwide, the African reception of Chinese films in the post-Mao era has rarely been analysed. Based on archival research and the collation of historical data and materials, this article discusses the background and advancement of the new Chinese socialist martial arts films across Africa and uses the acclaimed film Wudang as a case study to explore the spread of Chinese socialist martial arts films. This article argues that Mainland Chinese films’ imitation of Hong Kong films was a strategic choice made in the context of the Economic Reform and Opening Up policies, in response to Africans’ changing attitudes toward socialist ideology. The research contributes to the understanding of the historical exchanges between China and Africa in the post-Mao era, as well as to the topic of cooperation in the Global South today.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"372 - 386"},"PeriodicalIF":0.9000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2022.2135494","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT In the 1970s, Hong Kong kung fu films were distributed across Africa and reached large audiences. Although the spread of Hong Kong films in Africa has received some scholarly attention worldwide, the African reception of Chinese films in the post-Mao era has rarely been analysed. Based on archival research and the collation of historical data and materials, this article discusses the background and advancement of the new Chinese socialist martial arts films across Africa and uses the acclaimed film Wudang as a case study to explore the spread of Chinese socialist martial arts films. This article argues that Mainland Chinese films’ imitation of Hong Kong films was a strategic choice made in the context of the Economic Reform and Opening Up policies, in response to Africans’ changing attitudes toward socialist ideology. The research contributes to the understanding of the historical exchanges between China and Africa in the post-Mao era, as well as to the topic of cooperation in the Global South today.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.