Peculiarities of Mythology in Latin American Literature

Q4 Arts and Humanities
A. Kofman
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引用次数: 0

Abstract

In his article the author tries to answer the question: where does the mythological aura of Latin American literature come from? It is explained by some peculiar typological features of Latin American literature. The main feature of the formation of its artistic language consists in the fact that it has the definite date of birth. It comes back to Christopher Columbus’ Journal of his first voyage where some permanent images and basic mythological motives of Latin American literature are revealed. During the first three centuries of its development the Spanish-American literature in contrast to the literature of the Old World, did not base on the folkloric substratum, that’s why its main trend was an elaboration of its own tradition. Tradition is a sum of stable artistic elements. The article highlights three layers of such artistic elements. 1) Those that were born at the time of the conquest (the basic opposition Old World / New World, which expressed the perception of America as the world essentially different from the European world, the images of the “good” and “bad” savage and others). 2) Those that paraphrase the European motives, plots, oppositions. 3) The main and the broadest layer are the universal mythological elements: basic oppositions, such as life / death, earthly / celestial, masculine / feminine, corporal / spiritual; the images of the earth, water, river, tree, sky, sun, moon and others. These elements engendered at the dawn of human culture correspond perfectly to the notion of the primary element of cultural tradition. They also attract for their universality, since they do not belong to a definite culture and therefore can be used by any culture and can be represented as own heritage. Finally, the very peculiar use of universal images in Latin American literature must be taken into account. Accentuating them, the writer resorts to various artistic methods which create together the impression of another reality that exists behind everyday reality. This kind of reality is hidden, mythological, primordial, archetypal and timeless.
拉丁美洲文学中神话的特殊性
在他的文章中,作者试图回答这样一个问题:拉丁美洲文学的神话光环来自哪里?这可以用拉丁美洲文学特有的类型学特征来解释。其艺术语言形成的主要特征在于它有明确的诞生日期。它回到了克里斯托弗·哥伦布的《航海日志》,在这本日志中,拉丁美洲文学的一些永久形象和基本的神话动机被揭示出来。在其发展的前三个世纪,与旧世界的文学相比,西班牙裔美国文学并没有建立在民间传说的基础上,这就是为什么它的主要趋势是对自己传统的阐述。传统是稳定的艺术元素的总和。这篇文章强调了三层这样的艺术元素。1) 那些在征服时出生的人(基本对立的旧世界/新世界,表达了美国与欧洲世界本质上不同的世界的看法,“好”和“坏”野蛮人和其他人的形象)。2) 那些解释了欧洲人的动机、阴谋和反对意见的人。3) 最主要和最广泛的一层是普遍的神话元素:基本的对立,如生/死、地/天、男/女、下体/精神;大地、水、河流、树木、天空、太阳、月亮和其他的图像。这些产生于人类文化之初的元素与文化传统的基本元素的概念完全一致。它们也因其普遍性而吸引人,因为它们不属于特定的文化,因此可以被任何文化使用,并可以作为自己的遗产来代表。最后,必须考虑到拉丁美洲文学中对普遍形象的特殊使用。在强调它们的同时,作者运用了各种艺术方法,共同创造了一种存在于日常现实背后的另一种现实的印象。这种现实是隐藏的、神话的、原始的、原型的和永恒的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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