{"title":"Early Neolithic imagery in flux","authors":"Oliver Dietrich, J. Wagner","doi":"10.4312/dp.50.11","DOIUrl":null,"url":null,"abstract":"Stone is often regarded as the ideal medium for the long-term preservation of knowledge, as it is resistant to change. Early to middle Pre-Pottery Neolithic Göbekli Tepe in southeastern Turkey has repeatedly been treated as a prime example for such external memorial storage in durable stone. The present paper challenges this view. A close examination of pillars and their reliefs in Building F reveals the fluid character of imagery with repeated and frequent phases of erasure and re-making. It is argued that it is not the durability of stone that made it suitable for the preservation of ‘cultural memory’, but the possibility to re-shape the image carriers continuously over a long period of time, which resulted in processes of transmission, learning and memorization.","PeriodicalId":38599,"journal":{"name":"Documenta Praehistorica","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Documenta Praehistorica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4312/dp.50.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Stone is often regarded as the ideal medium for the long-term preservation of knowledge, as it is resistant to change. Early to middle Pre-Pottery Neolithic Göbekli Tepe in southeastern Turkey has repeatedly been treated as a prime example for such external memorial storage in durable stone. The present paper challenges this view. A close examination of pillars and their reliefs in Building F reveals the fluid character of imagery with repeated and frequent phases of erasure and re-making. It is argued that it is not the durability of stone that made it suitable for the preservation of ‘cultural memory’, but the possibility to re-shape the image carriers continuously over a long period of time, which resulted in processes of transmission, learning and memorization.