Kystnære bergkunststeder på Nord-Jæren

Viking Pub Date : 2022-11-20 DOI:10.5617/viking.9857
Wenche Brun
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引用次数: 1

Abstract

The majority of the open-air rock art sites in the county of Rogaland are located near the shoreline along the fjord systems surrounding the city of Stavanger. In the area the shoreline variation from the Bronze Age and up to modern day is minor, which means that the sites still are situated roughly in their original topographical context. The ocean is a dominating presence, and the distribution of rock carvings as well as the motives indicate the waterways’ significance and also to prehistoric use of the shipping lanes which are still in use today. A discussion concerning the coastline and the seascape combined with a phenomenological approach to the rock art sites and landscape might add another dimension to the traditional and well-established agricultural frameworks of interpretation when it comes to the rock art sites in Rogaland. Through personal experience combined with archaeological knowledge the relations between open air rock art sites, surrounding landscapes and the coastline concerning past social and ritual gatherings, wayfinding and sea voyages is discussed.   
北方军队的海岸艺术场所
罗加兰县的大多数露天岩石艺术遗址都位于斯塔万格市周围峡湾系统的海岸线附近。在该地区,从青铜时代到现代的海岸线变化很小,这意味着这些遗址仍然大致处于原始地形背景下。海洋是一个主要的存在,岩石雕刻的分布以及动机表明了水道的重要性,也表明了今天仍在使用的航道的史前用途。关于海岸线和海景的讨论,结合对岩石艺术遗址和景观的现象学方法,可能会为罗加兰的岩石艺术遗址的传统和成熟的农业解释框架增加另一个维度。通过个人经验结合考古知识,讨论了露天岩石艺术遗址、周围景观和海岸线之间的关系,涉及过去的社交和仪式聚会、寻路和海上航行。
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